2 Calls for Bunk Works - deadline 1 February 2009
Following up on “The Los Wikiless Timespedia,” Bunk Magazine (http://www.bunkmag.com) is seeking submissions for an upcoming issue of new media art.
Spring-Summer 2009 “The Mad Bunkers Mash” (Humor and Literary)
A mash-up of two stately magazines, the literary giant Mad Hatters review and Bunk Magazine. The mash up issue seeks mashups, mashers, and works to be mashed.
See the full call here: http://www.madhattersreview.com/submit.shtml
Please contact with questions:
Mark C. Marino, Editor, Bunk Magazine.
–
Writing Program
University of Southern California
http://WriterResponseTheory.org
http://CriticalCodeStudies.com
OCAD Toronto Digital Futures Initiative Job Postings - deadline 15 December 2008
PLEASE NOTE EXTENDED DEADLINE:
… EXPRESSIONS OF INTEREST + CV: DECEMBER 15TH
… FULL APPLICATIONS: MONDAY, JANUARY 5TH
The Ontario College of Art & Design is Canada’s largest independent
university of art, media and design. Located in the Discovery
District of downtown Toronto and at the centre of the city’s dynamic
cultural activities, OCAD has 3500 students and over three hundred
faculty members. Committed to excellence and contemporary approaches
to education. OCAD currently offers 12 programs leading to the BFA
and BDes, and three programs leading to Master’s degrees. It is
building new interdisciplinary programs. The university has
experienced remarkable growth over the past five years and requires
outstanding creative researchers/practitioners and gifted teachers
to join OCAD in an exciting period of institutional development and
opportunity.
Drawing on faculty from across the university and working in
collaboration with a broad range of Canadian and international
private sector and public sector partners, the Digital Futures
Initiative (DFI) is a set of new cross-disciplinary programs,
research, and innovation activities currently being developed at
OCAD. Minors, a major and a suite of graduate programs will provide
learning opportunities in digital art, media and design, linking
this knowledge to emerging technologies with applications in fields
such as art/design and science, sustainability, health and wellness,
accessibility, diversity, and global innovation and business
development. OCAD has launched a research program in many fields of
digital endeavour and related disciplines, and has recently secured
significant funding to begin the construction of a series of
dedicated research laboratories. Faculty cross-appointed in the DFI
will be engaged in all facets of planning and utilization of these
laboratories.
The DFI Program Development and Selection Committee, comprising
representatives from the Faculties of Art, Design, and Liberal
Studies, invites applications for the following six tenure-track
positions:
Alexandra Antonopoulou and Dawn Scarfe at the Thursday Club, Goldsmiths College, London, 20 November 2008
| 20 November 2008 | ||
| 6:00 pm | to | 8:00 pm |
Alexandra Antonopoulou
Once Upon a Time to Ever After
&
Dawn Scarfe
Audible Auras
Date: 20 November 2008
Location: Seminar Rooms, Ben Pimlott Building
Time: 18:00 - 20:00
Once Upon a Time to Ever After
Are fairytales fiction? Are “true” stories reality? How can we learn through narratives? Alexandra will explore interaction and learning through narratives, which is part of her
PhD research. Her Beauties and Beasts book was shown at the exhibition Blood on Paper in the V&A. Alexandra will also present her interactive cookbook, which connects generations via food.
ALEXANDRA ANTONOPOULOU is a PhD candidate at Chelsea College of Art and Design, The University of the Arts, London
http://thursclubalex.blogspot.com/
http://onceuponalex.blogspot.com/
http://everafteralex.blogspot.com/
.
.
Audible Auras
This presentation considers the artistic practice of using resonance to generate emanations and vibrations from structures, creating ‘audible auras’ around them. It is an attempt to contextualise Dawn’s own practice, which deals with the natural resonances of objects and environments. Dawn will discuss her recent installation ‘Lenses’ (2008), a multi speaker work which uses wine glasses as lenses to focus and propagate sound, and David Tudor’s sonic environment ‘Rainforest Version IV’ (1973). She will consider how these works produce a sense of ‘aura’, how they engage their audience, and what they might be communicating.
Dawn’s research investigates the phenomenal experience of sound from musical and artistic perspectives. She is interested in how we experience our surroundings and creates installations, compositions and performances which encourage audiences to consider details in the process of listening. Her practice is situated between the fields of lo-fi electronic music, installation art and performance. Her main concerns are with the physical effects of sound (vibration, spatiality, relational dialogue with its surroundings), the creation of ‘walk in sound’ (Robin Minard) – immersive environments. Dawn will present Lenses, a multi-speaker installation which explores pitch and resonance.
DAWN SCARFE is a PhD Candidate in Music at Goldsmiths. She has exhibited in a diverse range of places, including the Whitechapel Gallery and Tate Britain (London), Modern Art Oxford, Smeaton’s Lighthouse (Plymouth) and Videotage (Hong Kong).
www.dawnscarfe.co.uk
—-
For more information check: http://www.thethursdayclub.net
THE THURSDAY CLUB IS ORGANISED BY GOLDSMITHS DIGITAL STUDIOS AND SUPPORTED BY GOLDSMITHS GRADUATE SCHOOL AND THE DEPT. OF COMPUTING
To find Goldsmiths check http://www.goldsmiths.ac.uk/find-us/
No commentsFuture of Creative Technologies conference - Leicester, 20 November 2008
| 20 November 2008 |
featuring…
Professor Howard Rheingold
Dr. Jim Hendler
Dr. Lev Manovich
The Future of Creative Technologies Conference will now be held at the IOCT at De Montfort University, Leicester.
For further details on the venue click here.
Following the numerous concerns voiced from interested delegates regarding the current financial climate, the Institute of Creative Technologies has decided to host the upcoming Future of Creative Technologies Conference at the IOCT itself so that places for delegates are now subsidised. We hope this alleviates some burden from delegates.
Additionally, by offering free places we aim to participate in a broader web 2.0 ethics of inclusion and facilitation of conversation.
How to get a free place
If you have already registered and paid, do nothing. We’ll contact you very soon to refund the delegate fee and confirm your registration and workshop choice.
To book a free place and choose which workshop you’d like to participate in register here.
Programme
9.30am Registration
10.30am Welcome
10.40am Introductory keynote by Professor Andrew Hugill
11.00am Workshops
12.15pm Networking lunch
1.15pm Overview of afternoon sessions by Professor Andrew Hugill
1.30pm Dr Jim Hendler
2.00pm Dr Lev Manovich
2.30pm Professor Howard Rheingold
3.00pm Refreshments Break
3.30pm Open discussion with questions from the workshops and the floor
5.00pm Closing Remarks
Click here for full programme details.
No commentsFuturewrite at the Arvon Centre, UK - 17-22 November 2008
| 17 November 2008 | to | 22 November 2008 |
http://www.arvonfoundation.org/pc344.html
Collaborate on scripting a piece of new media literature – interactive, multimedia, transliterate – and a riveting read. We’ll look at blogs, podcasts, games and animations, see the best of what’s creative on the web, clear our heads of technophobia and make something special together.
Tutors:
Kate Pullinger
Kate Pullinger works both in print and new media. Her most recent novel was A Little Stranger (Serpent’s Tail) and digital fiction projects include her collaboration with Chris Joseph on ‘Inanimate Alice’, an award winning piece of multimedia episodic digital fiction. Visit www.katepullinger.com.
Chris Meade
Chris Meade is Co-Director of the Institute for the Future of the Book, deviser of innovative creative reading projects and collaborator on writing comedy, cartoons, community poems and on-line experiments. Visit www.futureofthebook.org.uk, www.bookfutures.blogspot.com and www.insearchoflosttim.net
Guests:
Chris Joseph
Chris Joseph is a Suffolk-born electronic writer and artist whose past projects include ‘Inanimate Alice‘ (with Kate Pullinger); the bike-powered multimedia installation ‘NRG‘; and ‘Animalamina‘, a collection of interactive multimedia poetry for children. He is editor of the post-dada magazine and network 391.org, and was the first Digital Writer in Residence at De Montfort University, Leicester from 2006-2008. Visit www.chrisjoseph.org.
Lumb Bank - The Ted Hughes Arvon Centre
Heptonstall, Hebden Bridge
West Yorkshire
Tel: 01422 843714
Fax: 01422 843714
Email: lumbbank@arvonfoundation.org

