Chris Joseph

[Neural n. 29 contents]
http://www.neural.it/art/2008/03/neural_29.phtml
. . . . . . . . . . . . . . . . . . . . . . . . .
[new.media.art]
. Yao Bin (interview),
. 8gg (interview),
. We Make Money Not Art/We Need Money Not Art interviews,
. The Paradox of Chinese Art in the Age of Technology
. Continental Drift.
. v2_zone MOCA Taipei.
. 11th Microwave Hong Kong.
. news (WINDscale, Privileges, Feed, Spinal Rhythms, Life)
. reviews (Home-Made, Conexoes Tecnologicas, Two Films,
Database Aesthetics, MediaArtHistories, Intimate Transactions)
. centerfold: ‘Constellation’ by Chu Yun
. . . . . . . . . . . . . . . . . . . . . . . . .
[e.music]
. FM3 (interview),
. Zen Lu (interview),
. news: (Torcito Project, Sonic Wargame, Akousmaflore, Plink Jet, Isaidif)
. reviews: (Cultura VJ, Continuity, Messy, Living Sterea & Cinema.tik
Tricycle)
. reviews cd: (Frank Rothkamm, Minoru Sato + Asuna, Tim Blechmann,
Oh Astro, Dorninger, Al Margolis, Shinkei, Gavin Bryars, Jorge Haro,
John Luther Adams, Uusitalo, Snog, martyn Bates & Max Eastley,
Savvas Ysatis + Taylor Deupree, Roam The Hello Clouds,
Periferico, Zaum, David Watson, Einstuerzende Neubauten)
. . . . . . . . . . . . . . . . . . . . . . . . .
[hacktivism]
. Made in China, dagongmei and the global it factory,
. The Great Firewall of China,
. Post Revolutionary Glimpses,
. news (new American Dictionary Security/Fear edition, Constrain City,
Breaking the News, Transborder Tool, Parallel Rethoric).
. reviews: (Peers, Pirates and Persuasion, Infotopia, Netporn,
Depford.tv Diaries, Wired Shut, Panel de Control)
. . . . . . . . . . . . . . . . . . . . . . . . .
NEURAL http://neural.it/
. . . . . . . . . . . . . . . . . . . . . . . . .

Supported by the Goldsmiths GRADUATE SCHOOL and the Goldsmiths DIGITAL STUDIOS

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME. No booking required.

————

*5 JUNE with ALEX MCLEAN & DAVE GRIFFITHS
:
Live Coding*

Live coders program in conversation with their machine, dynamically adding instructions and functions to running programs. Here there is no distinction between creating and running a piece of software - its execution is controlled through edits to its source code. Live coding has recently become popular in performance, where software is written before an audience in order to generate music and video for them to enjoy. McLean and Griffiths have played around Europe together with Adrian Ward as the live coding band “slub”. They will talk about the history and practice of live coding, and give some demos of their own live coding environments.

ALEX MCLEAN has been triggering distorted kick drum samples with Perl scripts for far too long. He is a PhD student at Goldsmiths Digital Studios.

DAVE GRIFFITHS writes programs to make noises, pictures and animations. He makes film effectis software and computer games.

Dave & Alex are both members of the Openlan free software artists collective and the TOPLAP organisation for live algorithm promotion. slub.org ; toplap.org ; pawfal.org/openlab ; pawfal.org/dave ; yaxu.org

————

THE THURSDAY CLUB is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s).

For more information check http://www.goldsmiths.ac.uk/gds/events.php or email Maria X at drp01mc [at] gold.ac.uk

To find Goldsmiths check http://www.goldsmiths.ac.uk/find-us/

Supported by the Goldsmiths GRADUATE SCHOOL and the Goldsmiths DIGITAL STUDIOS

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME. No booking required.

————

*29 MAY with RICHARD COLSON
:
Linking the Senses *

Richard Colson considers the role of gesture as part of any process of making art and reflects on its use in his painting and in his work using digital technologies. The talk will try to unravel aspects of experience that have a direct bearing on the interdependence of vision, auditory phenomena, gesture and spatial changes in both the creation of art and its reception by the viewer. Richard will use visual art works and examples of creative writing and will try to show how an awareness of spatial position can have a critical influence on the nature of what is perceived.

RICHARD COLSON is the author of The Fundamentals of Digital Art (AVA Publishing Uk Ltd) and co-curated Sense Detectives at Watermans Arts Centre. He is a Director of the annual Takeaway Festival of DIY Media at the Dana Centre, Science Museum. His paintings are in collections at the House of Lords, the House of Commons, Royal Dutch Shell and Pearson PLC.
www.kwomodo.com

————

THE THURSDAY CLUB is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s).

For more information check http://www.goldsmiths.ac.uk/gds/events.php or email Maria X at drp01mc [at] gold.ac.uk

To find Goldsmiths check http://www.goldsmiths.ac.uk/find-us/

Supported by the Goldsmiths GRADUATE SCHOOL and the Goldsmiths DIGITAL STUDIOS

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME. No booking required.

————

*15 MAY with COLM LALLY & VERINA GFADER
:
Condensation revisited: strategic walking / access to knowledge / economics of things / conversation pieces *

In June 2007 Colm and Verina were invited to take part in the residency programme: Reference Check, a co-production lab taking place at the Banff New Media Institute in Banff, Alberta, Canada. During the residency they expanded the notion of “interface” associated with various forms of online communication and exchange, to other, perhaps more radical, forms of spaces between different entities. At the core Colm & Verina’s actions emerges the search for where a site of potential resides beside of technologies’ restrictive mode of ex/inter-change and so-called collaborative or networked practices. Colm & Verina will present the “document” of the process that their project Condensation took during the residency at Banff. This includes questions of: the necessity of temporary frameworks; the character of dialogical communication processes; the failure as a site of potential. In an informal setting the “document” will take the format of a line, or “walking” – of virtually making a tour through various landscapes…

COLM LALLY is founder and director of E:vent. Since 2003 Colm has taken a hands-on role developing the E:vent programme, focusing on media art; video; performance; and electronic music. Colm was a co-organiser of Node.London 06 and is co-director of Arts in Action artists community.

VERINA GFADER completed a practice-based Ph.D. in Fine Arts at Central Saint Martins College, London in 2006, and recently joined CRUMB (web resource for new media art curators) as post-doc research assistant.

————

THE THURSDAY CLUB is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s).

For more information check http://www.goldsmiths.ac.uk/gds/events.php or email Maria X at drp01mc [at] gold.ac.uk

To find Goldsmiths check http://www.goldsmiths.ac.uk/find-us/

Supported by the Goldsmiths GRADUATE SCHOOL and the Goldsmiths DIGITAL STUDIOS

6pm until 8pm, Seminar Rooms at Ben Pimlott Building (Ground Floor, right), Goldsmiths, University of London, New Cross, SE14 6NW

FREE, ALL ARE WELCOME. No booking required.

————

8 MAY with CAMILLE BAKER & MARILENE OLIVER
:
MINDTouch
&
Making DICOM Dance – The Digitised Body as a site for performing subjectivity*

MINDTouch explores ideas of non-verbal transference, telepathic collaboration, and the participant as performer, using biofeedback and mobile phone technology under meta-goals of studying “liveness” within mobile networked environments. MINDTouch involves creating a mobile networked performance that utilizes a database of streamed and/or archived video-clips created by video-enabled mobile phones, to then be retrieved, streamed and remixed during (a) live visuals performance(s). The participants invited to contribute to the video blogs are asked to explore their own consciousness, non-verbal emotional /affective senses and dream states, embodiment and communication.
www.smartlab.uk.com/2projects/mindtouch.htm

CAMILLE BAKER is a Ph.D. Candidate at SMARTlan, University of East London, conducting research on Networked Performance Media, funded by BBC R+D.
www.swampgirl67.net

&

Making DICOM Dance: Marilene Oliver’s practice-based research looks at medical and laser imaging technologies that scan bodies and break them down to bytes. Oliver examines from an artist’s perspective, the processes needed to convert flesh to pixel (digital photography), flesh to voxel (MRI, CT and PET) and flesh to xyz co-ordinates (3D laser scanning). Oliver will present a selection of artworks made using MRI data (where the subject of the scans is bespoke) and CT data (where the subject of the scans are either infamous or anonymous). The presentation will be both technical and theoretical, concentrating on the performative puppeteering activity that emerges when working with MRI and CT data.

MARILENE OLIVER is currently a research student in the Fine Art Print department at the Royal College of Art. Oliver has exhibited widely in the UK and Europe including the Victoria and Albert Museum, Royal Academy, Royal Institution, Science Museum (UK). Oliver was awarded the Royal Academy print prize in 2006 and the Printmaking Today prize in 2001.

————

THE THURSDAY CLUB is an open forum discussion group for anyone interested in the theories and practices of cross-disciplinarity, interactivity, technologies and philosophies of the state-of-the-art in today’s (and tomorrow’s) cultural landscape(s).

For more information check http://www.goldsmiths.ac.uk/gds/events.php or email Maria X at drp01mc [at] gold.ac.uk

To find Goldsmiths check http://www.goldsmiths.ac.uk/find-us/

http://www.cddc.vt.edu/accs/

The Center for Digital Discourse and Culture (CDDC) at Virginia Tech is pleased to announce the launch of Arts, Culture, and Civil Society (ACCS). This online archive of syllabi, e-prints, web links, and other digital resources is intended to serve as a starting point for students and scholars who are exploring the arts, culture, and civil society in their courses and/or research. These major topic areas are related to many important theoretical concerns for contemporary social criticism, political theory, and cultural policy-making. The collected materials span a wide range of disciplines, analytical frameworks, and locations. Topics range from the nature of current-day urban formations, nation-states, and local communities to the analysis of power, modernity, and discourse as related to the arts. One key aim of the ACCS project is to represent a wide range of approaches and resources related to the study of politics, culture, and the arts in our contemporary global society.

Please direct all questions or comments about ACCS to cddc [at] vt.edu. We also welcome your contributions and suggestions as we continue to expand the archive.

Jeremy Hunsinger
Information Ethics Fellow
Center for Information Policy Research