Drunken Boat 10th anniversary issue
Tthe Electronic Arts+ section (http://drunkenboat.com/db10/05ele/) features Scott Rettberg, Jessica Pressman, Young-Hae Chang, Anthony Cornicello, Steve Ersinghause & James Revillini.
Jessica Pressman’s essay, “Charting the Shifting Seas of Electronic Literature’s Past and Present,” discusses work by several electronic writers, and includes a great summary of our Flight Paths project.
Flight Paths: Paths Crossing
To view our fifth story, Paths Crossing, go to http://www.flightpaths.net/stories/pathscrossing.html or click on the image above.
Previous stories:
1. Yacub in Dubai
2. Yacub at the Airport
3. Harriet Driving
4. Dark Mass
Find more information about ‘Flight Paths’ here.
Flight Paths: Dark Mass
To view our fourth story, Harriet Driving, go to http://www.flightpaths.net/stories/darkmass.html or click on the image above.
Previous stories:
1. Yacub in Dubai
2. Yacub at the Airport
3. Harriet Driving
Find more information about ‘Flight Paths’ here.
Flight Paths: Harriet Driving
To view our third story, Harriet Driving, go to http://www.flightpaths.net/stories/harrietdriving.html or click on the image above.
Previous stories:
1. Yacub in Dubai
2. Yacub at the Airport
Find more information about ‘Flight Paths’ here.
Flight Paths: Yacub at the Airport
To view our second story, Yacub at the Airport, go to http://www.flightpaths.net/stories/yacubattheairport.html or click on the image above.
Previous stories:
Find more information about ‘Flight Paths’ here.
Flight Paths: Yacub in Dubai
These five new short mini-stories take five plot hotpoints, or flashpoints, to animate significant moments in the lives of the characters that have begun to emerge through the project’s history of discussion and collaboration.
We hope you like the stories. For more information about Refugee Week, go to http://www.refugeeweek.org.uk
To view our first story, Yacub in Dubai, go to http://www.flightpaths.net/stories/yacubindubai.html or click on the image above.
Find more information about ‘Flight Paths’ here.
