+ 40:CALL FOR CULTURAL RESISTANCE – deadline 16 March 2012 #artopps
http://www.melloweb.com/QUACK2012/
+ 40:CALL FOR CULTURAL RESISTANCE is a project developed by QUACK2012.ORG with the aim to disseminate the message and the spirit of the iconic guerilla book How to Read Donald Duck: Imperialist Ideology in the Disney Comic (Dorfman & Mattelart), published in 1971 in Chile.
“How to Read Donald Duck” constitutes a fascinating model of how a work of cultural resistance can successfully reach millions of readers from around the world and from every possible social background. Written in 1971, in the middle of a Chilean revolutionary process, which advanced not just the social and economic emancipation of its citizens but also its cultural liberation from imported forms of mass entertainment, the book was an insolent manifesto that appropriated copyrighted images without consent; the first of its kind to offer a radical interpretation of the neo-liberal values that were being transmitted through the (apparently) not so innocent comic strip characters of the world of Disney.
Burned in Chile on September 11, 1973, the book then spread like wildfire around the world with more than a millions copies in print in a dozen languages. The book became a cornerstone in the field of cultural studies and communication. John Berger aptly called it a “manual for decolonization”.
In 1975, the US government seized 3,500 copies of the book for copyright violations. Even though they lost the case, no one has dared to publish it in the USA. Download the Apendix about this fascinating case.
The call is for electronic art, graphic design (posters, logos, comic strips, stencils), collective action (performance, happenings, flash mobs, etc…) and video (short and animated clips).
The pieces selected will be part of a virtual and physical-site exhibit, interactive and urban installations, video screenings, and a web-conference that will be launched on May 1st, 2012.
check http://www.melloweb.com/QUACK2012/ for more information
Berlin University of the Arts (UdK) Award for Interdisciplinary Art and Science – deadline 1 March 2012 #artopps
A NEW AWARD FROM THE UDK BERLIN !
Berlin University of the Arts (UdK)
The UdK Berlin is one of the biggest, most traditional institutions of advanced artistic education in the world. It has the right to award doctorates and post-doctoral lecturing qualifications and offers more than 40 study courses covering the full spectrum of the arts and related academic fields. With its Colleges of Fine Art, Design, Music and Performing Arts and the Central Institute of Continuing Education it is one of the few centres of advanced art education in Germany with university status.
The Competition
Art and science are moving towards one another, discovering common issues and working methods. The creative, imaginative processes in the arts and sciences are similar, whereas the concrete realisation of their results tends to differ. Repeatedly, this difference is the source of productive tension and areas of friction. In all disciplines of the arts and sciences, further developments over recent decades have been characterised by mutual influences and efforts at differentiation. Today, traditional dividing lines between the spheres can no longer be maintained; they are being newly defined and presented in their permeability.
This competition aims to give the impetus and opportunity to artists (fine art, media, architecture, design, music, theatre, visual communication etc.) and scientists to work between the priorities of the arts or between the arts and science.
Participants
Individuals and groups are eligible to participate. Full-time employees of the UdK Berlin, as well as students of the UdK Berlin and other colleges/universities are excluded.
Entry Deadline
The deadline for entries is March 1, 2012. The registration form including detailed information can be requested from the address below and is also available as a download.
Prize
The prize will be awarded on a biennial basis and is endowed with 7,500 Euros.
Jury
The jury under the chairmanship of the President of the UdK Berlin consists of the Chair of the Commission for Artistic and Scientific Projects at the UdK Berlin, the Director of the Postgraduate School of the UdK Berlin and four additional jurors who do not belong to the UdK Berlin in any way and have shown outstanding achievements in their own professional fields.
more info: http://www.udk-berlin.de/sites/content/topics/contests/international/wettbewerb_udk_preis/
Contact partner
Universität der Künste Berlin
Communications and Marketing
Inge Scheffler / Joachim Schwalbe
Postfach 120544
D-10595 Berlin
Fax: +49 (0) 30 3185 2821
E-mail: udk-preis@udk-berlin.de
Download Regulations 2012 (PDF: 84KB)
Call for entries to the European Media Art Festival – deadline 5 December 2011 #artopps
Submissions: European Media Art Festival
Categories: Arts, Award/ Prize, Installation, Media Arts / Digital, Music / Sound, Video
// CALL FOR ENTRIES
// WE WOULD LIKE TO INVITE YOU TO SUBMIT YOUR CONTRIBUTIONS TO PARTICIPATE IN THE EMAF BY 05 DECEMBER 2011 !
// INFOS AND APPLICATION DOCUMENTS ARE AVAILABLE AT WWW.EMAF.DE
// We look forward to receiving your entries to the European Media Art Festival competition, with new works. You’re invited to send us
films, videos, installation- and performance projects or expanded media works. Please use the online forms for all submissions.
// EMAF is one of the most influential forums of international Media Art. As a meeting point for artists, curators, distributors, galleries
and an audience of experts the festival has a great impact on the topics and aesthetics of Media Arts.
Each year the festival offers its visitors a current overview of experimental films, installations, performances and new digital formats, ranging from personal and political subjects or formal experiments to provocative statements from the pulsating area of “Media Art – Society”. The Festival sees itself as a place of
experimentation and a laboratory where extraordinary works, experiments and ventures are created and presented.
// AWARDS
At the festival an international jury will select the >EMAF Award< for a trend-setting work in Media Art, the >Newcomer Award< and the >Dialogpreis< of the German Ministry of Foreign Affairs for the promotion of intercultural exchange. Furthermore, the jury of the German Federal Association of Film Journalists will award the
prize for the best German experimental film.
// CINEMA
Experimental shorts and feature films, music videos, new forms of narration and documentation as well as specials and retrospectives.
// EXHIBITION
From 18 April to 27 May 2012 the festival will present current media installations in the Kunsthalle Dominikanerkirche and other locations in Osnabrueck.
// EXPANDED MEDIA
Artistic projects in media-arts, performances, digital music and sound projects, as well as the latest concepts of expanded cinema.
//MEDIA CAMPUS
The contact and project exchange forum for new projects,tendencies and concepts from the media universities, academies of art and design colleges of Europe.
// CONGRESS
Theoretical debates covering the various issues of the festival in talks, workshops, artist presentations and panel discussions.
We warmly invite you to shape and discover the trends of experimental media-arts in Osnabrueck in April 2012.
// Concept and directors board: Hermann Noering, Alfred Rotert,
Ralf Sausmikat
// SPONSORS
- nordmedia – Die Mediengesellschaft Niedersachsen/Bremen mbH
- Stadt Osnabrueck
- Auswaertiges Amt
- Bundesministerium für Bildung und Forschung
- Stiftung Niedersachsen
- EU Funding EFRE
- as well as donations from further sponsors.
Contact/Address/Postal:
European Media Art Festival
Lohstrasse 45 a,
D-49074 Osnabrueck
phone +49 (0) 5 41 – 2 16 58,
fax +49 (0) 5 41 – 2 83 27
mail: info(at)emaf.de
www.emaf.de
www.dca-project.eu the new European archive project.
b-side multi-media Festival 2012 commissions – deadline 5 November 2011 #artopps
b-side multi-media Festival 2012 – Artist Commission Brief
b-side is a biennial multi-media, site-specific arts festival, animating public spaces in Weymouth and Portland. Inspired by the ‘flip’ side of vinyl recordings, b-side offers opportunities for artists and audiences to explore the less commercial aspects of South West coastal resorts.
b-side is offering a number of commissions to create new, temporary, site-responsive work to be showcased, alongside other events and activities, as part of a programme for the 2012 b-side Festival. The festival will take place as part of the ‘Maritime Mix’ London 2012 Cultural Olympiad by The Sea during which, Weymouth and Portland will be hosting the 2012 Olympic and Paralympic Sailing events.
b-side festival 2012 is programmed for:
July 30th – August 11th 2012 in Weymouth during the Olympic period
Sept 1st – 8th 2012 on Portland during the Paralympic period
Proposals are invited from artists working across all media [visual art, performance/live art, sound, film, digital media, text based work, social media and
socially engaged practice].
Key concepts: Portals, entry and exit points, bridges, mapped and off the map, boundaries, borders and barricades, peripheries and margins, outposts. If your work
resonates with any of themes, we want to hear from you!
Fees:
We are inviting proposals for three categories:
Category 1: Up to £1500 Category 2: Up to £3000 Category 3: Up to £5000
All fees include production, installation costs, travel and accommodation – we are looking for exciting deliverable ideas that explore or highlight the flip side of Weymouth & Portland.
NB There is a limited budget to support extended stays in residency or research and development prior to making the work should this be necessary to realise your idea. Successful applicants will have access to curatorial support, installation assistance, venue facilitation and help with finding accommodation.
To apply:
• Please provide ONE document formatted as a PDF to include the following:
• 500 word max proposal outlining your idea including type of space, installation needs, technical assistance, maintenance and any possible health and safety issues.
• An outline draft budget including breakdown of equipment, materials, production costs, installation costs, artist’s fee (which should include your anticipated
travel/accommodation expenses)
• Up to 6 images of previous work within the pdf document (inc links to websites etc)
• Sound or film files may be sent as separate attachments, although links to soundcloud, vimeo, you tube or other appropriate web sites is preferred
• An up to date CV
• Total submission should not exceed 5MB
PLEASE NOTE: PROPOSALS RECEIVED IN ALTERNATIVE FORMATS OR WHICH EXCEED THIS LIMIT WILL NOT BE CONSIDERED WITHOUT PRIOR AGREEMENT
Deadline: 5pm Saturday November 5th 2011
Interviews: artists proposing work for the 3rd category (up to £5000) will be invited to an
interview – interviews will take place week beginning November 21st
Please send your proposal by e-mail only to the b-side commissioners:
Amanda Wallwork amanda@b-side.org.uk, Sally Watkins sally@b-side.org.uk, Julie Penfold julie@b-side.org.uk and Sandy Kirkby Festival Producer at producer@b-side.org.uk
Please mark your email subject line: b-side FESTIVAL PROPOSAL
Supporting material may be sent by post if required to: Sandy Kirkby, b-side Festival Producer, The Little Keep, The Barracks, Bridport Road, DORCHESTER, Dorset DT1 1SQ
please include SAE for return
Guidance for Artists
b-side 2012 will use entrance and departure points to and from Weymouth town centre and onto the island of Portland. Commissions will be developed in response to these specific sites. During the Olympic games, Weymouth is expecting 30,000 extra visitors per day. Visitors will arrive by Park and Ride to the Swannery Car Park and be directed by Inner Harbour walk to Westham Bridge, then to the Live Site on Weymouth Beach. Others will arrive by train or boat. b-side wishes to explore, reveal, and mark these routes by commissioning a series of contemporary, innovative, accessible artworks that become part of a semicircular pedestrian route around the town centre.
On Portland some sites are more hidden and require the audience to be more active in engaging with them. There is a list of prospective sites below, although we would welcome other suggestions from artists. During the Paralympic games, visitors are expected to be less numerous, the borough council are committed to a full cultural programme and to using this period to highlight issues around disability and the Paralympic values. B-side also welcomes applications for Portland from deaf and disabled artists whose work relates to the key themes and/or the Paralympic sailing events.
The proposed sites are as follows:
Weymouth:
1. The promontory end of the Pleasure Pier near the ferry terminal (potentially including the café, but this is to be negotiated)
2. Westham Bridge and Inner Harbour walk
3. The Town Bridge
4. Weymouth Railway Station
5. The Pier Bandstand
Some images of above can be seen at: http://flic.kr/s/aHsjwo57hU
Portland:
1. Through Chiswell at the eastern end of Chesil Beach and Fortuneswell – the high street, the ‘Opes’ and alleyways that surround and lead off from Chiswell
2. Chiswell Community Garden
3. Black Barge Beach
4. Brackenbury Centre (the old Brackenbury Infants School Building)
5. A mobile unit which could travel throughout the island
6. Royal Manor Theatre Building
7. Portland Castle
8. Castletown area of Portland
9. Naval Graveyard
Proposals can be for work made for intimate spaces as well as larger public spaces or incorporate a route or journey. Artworks should be site specific/sensitive/responsive and temporary, exploring the fabric, history or contemporary use of the space/place and aim to intrigue and engage audiences.
The curatorial team selecting commissions this year are:
Amanda Wallwork Visual artist and Director/Curator for Sherborne House Arts, b-side Director
Julie Penfold Director/Creative Programmer PVA MediaLab, b-side Director
Sally Watkins Independent artist (site-specific/responsive work), b-side Director
Sandy Kirkby b-side Festival Producer
Queries and Questions:
We have tried to ensure that you have all the information you need at this stage to make a proposal but if you do have questions then please contact any of the b-side team listed below:
Sandy Kirkby producer@b-side.org.uk or 07770 856 253
Sally Watkins sally@b-side.org.uk or 07974 698526
Julie Penfold julie@b-side.org.uk or 01308 459071
Amanda Wallwork amanda@b-side.org.uk or 07816224015
Eyebeam 2012 Fellowships Open Call – deadline 18 November 2011 #artopps
http://eyebeam.org/get-involved-fellowships/calls/2012-fellowships
CONTEXT: Eyebeam is the leading not-for-profit art and technology center in the USA. Our unique collaborative environment fosters fellowships and residencies, research, education, public programming, and a vital web space, eyebeam.org. We are located in the heart of NYC’s Chelsea art district in a resource rich 15,000 sq. ft. space. Please see the Fellows and Projects sections of our web site for information on current and previous work developed at Eyebeam.
OVERVIEW: Eyebeam is seeking applications from artists, hackers, engineers, designers, curators, and creative technologists to participate in our Fellowship program. Fellows at Eyebeam spearhead new research and develop new work. The ideal Fellow has experience working with and making innovative technological art or creative technology projects, and has a passion for collaborative development. Fellows will bring this experience and working approach to Eyebeam where they will have the opportunity to engage in their own independent projects, projects initiated by other Residents or Fellows, and projects conceived collaboratively with Eyebeam’s staff and research partners.
Up to three Fellows will be selected to join continuing residents and fellows for an upcoming 11-month cycle, ideally beginning in mid-March but potentially in the summer or fall of 2012. If a summer or fall start date is preferable, please indicate that on your application inside the “additional information” section. Selected Fellows will be expected to spend at least four days per week working at Eyebeam. Fellows are expected to contribute to the Eyebeam community as collaborative partners to residents and mentors to youth working at Eyebeam and as principal leads in research initiatives, programs, and public engagement as well as leaders in Research Groups (explained below).
SUPPORT: Fellows receive a $30,000 stipend during their stay in NYC with Eyebeam as well as 24/7 access to Eyebeam equipment and dedicated work areas. It is possible for Fellows to take on additional external teaching or consulting work, as long as s/he can fulfill commitments to Eyebeam at the same time.
For full details visit http://eyebeam.org/get-involved-fellowships/calls/2012-fellowships
7 studies on the correspondence between colours and forms #digitalart #bauhaus
1. form
2. form/colour
3. form/colour/scale
4. form/colour/scale/opacity
5. form/rotation
6. form/colour/scale/opacity/rotation
7. form/colour/scale/opacity/rotation/position
for remixworx, from Eugen Batz’s zuordnung von farben und formen. studie aus dem unterricht kandinsky (Correspondence between colours and forms. Study from Kandinsky’s teaching) 1929/30
flash sources: eugen_fl8.zip (1.1MB)