Call for applications: Akademie für Kindermedien 2010/2011, Erfurt, Germany – deadline 3 September 2010
The Akademie für Kindermedien invites professional writers and creators based in Germany with a very good knowledge of German and English, writers to apply for 2010/11 workshop with project ideas targeted at the 3-13 age group. Submissions may include ideas for interactive & cross-media, feature films, and/or animation series. The academy is a continuing workshop aimed at developing existing projects while offering further education to its participants.
details: http://www.akademie-kindermedien.de
deadline: September 3 2010
Call for entries: Communication Arts Competition – deadline 8 October 2010
This year will mark the 50th annual Communication Arts competition. This prestigious visual communication event holds five juried categories. The best work is published in print and online guaranteeing international exposure. In the interactive category work in web design, dvd, interactive kiosk and hand held designs are all welcome to enter.
details: http://www.commarts.com/competitions/interactive
deadline: October 8 2010
Call for entries: Bambi Foundation – deadline 1 September 2010
The Bambi Foundation supports contemporary non-object art projects, with an emphasis on experimental cinema and projected image installations. The members of the foundation¹s committee are Tami Amit, a photographer and video-artist; Tal Sterngast, a photographer and a critic, and Ory Dessau, an independent curator and art-writer. The foundation accepts proposals from a wide range of artists, disciplines and medium, and focuses on works that cannot be easily received by market-based art scenes.
details: http://www.bambifoundation.com/
deadline: September 1 2010
Call for submissions: Pixxelpoint 2010 – deadline 30 September 2010
Pixxelpoint is one of the most successful and renowned festivals of new media art in Slovenia and also abroad. Its purpose is firstly, to bring the information technology and new media art closer to the general public, and secondly, to raise awareness about a different potential to use computer among the young. This year’s theme: Triple Conjunction: Magic, Myths and Mutations. How do artists reflect the year 2010? It is the beginning year of predictions of the end of the world, catastrophes and natural destructions. With anxiety, humor or indifference? Ecological, social and economical positions are influencing our daily reconsideration of ourselves, our environment and political changes. Artistic reflections in media art are often inspirations for an other view on our planet and our lives. Submissions are invited for the categories new media installation, computer based art and work in traditional media.
details: http://www.pixxelpoint.org
deadline: September 30 2010
Call for applications: SZPILMAN AWARD 2010 – deadline 30 September 2010
The SZPILMAN AWARD is awarded to works that exist only for a moment or a
short period of time. The purpose of the award is to promote such works
whose forms consist of ephemeral situations. The SZPILMAN AWARD is awarded
annually. The prize winner receives the Jackpot Stipendium. This scholarship
consists of three parts: A challenge cup, 10 days of accommodation in
Cimochowizna (Poland), and a sum of money in cash. The amount of money is
dynamic. SZPILMAN is raising money parallel to the competition. The prize
winner receives the money that is raised until September 30, 2010.
The work must have been realized between October 1, 2009, and September 30,
2010. To apply, send in a significant documentation.
details: http://www.award.szpilman.de/
Deadline: September 30 2010
all for Interactive Installations, amberFestival Istanbul – deadline 20 August 2010
amberFestival invites applications for interactive installations around the theme “DATACITY”
deadline: 20th of August 2010
click to submit: http://submissions.amberplatform.org
This is an international call. The works selected from among the submissions will be exhibited between 5th and 14th of November in ?stanbul in the frame of amber’10 Art and Technology Festival. The selected artworks by artists from Turkey will be supported for further development if this is deemed necessary and possible.
amberFestival especially seeks interactive installations designed for outdoor exhibition.
Datacity
For the first time in history the World’s urban population has outnumbered its rural counterpart. Cities have become the predominant habitat of humanity. The requirements of rapidly growing cities, coupled with the contemporary technological possibilities bring about new urban reality that is data. amber’10 takes up the relationship between city and data as its festival theme.
It is no accident that the rise of statistics as a science coincided with the rise of the modern city as a social form during the industrial revolution. When statistical methods of data production and measurement coupled with reproductive techniques such as photography and printing, the modern city entered into imaginary circulation simultaneously with its double, its image. From its beginnings, the modern city emerged both as a reality and a representation that were interrelated in such a manner that it became hard to tell one from the other.
In this historical process, contemporaneous with the Enlightenment and Industrial capitalism, the ability to understand the city became conditional on processing and thinking through the data it produced. Data has become a crucial factor in urban social relations and politics.
The capacity to produce and process all kinds of data has increased tremendously with the rise of new technologies in the last three decades. Capitalist parliamentary democracy, as it exists today, demands transparency, efficiency and absolute security as the conditions of its mechanism and has at its service the wide possibilities offered by new technologies to meet these demands. This coupling brought about the strategic importance of data in today’s World. We know and define the city through the images made up of its data. The collection, storage and processing of the vast amount of data has become an everyday practice that is both visible and invisible, threatening to some and absolutely beneficial to others in a field ranging from law to ethics, human rights to health.
With the theme title Datacity, amber’10 proposes to define the modern city as a data cluster in addition to however else the city form may be defined today. We call on artists to interpret the life forms, production and consumption patterns and politics of the Datacity from the vantage point of arts and technology.
- – - – - – - – - – - – - – - – -
previous festivals’ links:
amber’09 http://09.amberfestival.org
amber’08 http://08.amberfestival.org
amber’07 http://07.amberfestival.org
Exhibition of Digital Cultural Content – IOCT, Leicester, 11am-3pm
You are invited to an Exhibition of Digital Cultural Content
at the IOCT – http://www.ioct.dmu.ac.uk
Thursday 29th July
Demonstrations running continuously from 11am-3pm
Nibbles and soft drinks provided
Exhibitor: Dr. Ken Tin-Kai Chen, Department of Digital Technology and Game Design, Shu-Te University, Taiwan (email: tkchen [at] acm.org )
Organizers: Nicholas Higgett and Gerardo Saucedo Faculty of Art and Design/IoCT, De Montfort University
1. Background
Recently, several exhibitions and interdisciplinary projects in digital art, history and museums, have been undertaken by Dr. Chen and his students which aim to design new digital cultural content including Chinese traditional puppetry and characters, virtual Romans in Leicester, digital archives and maps of historical buildings and mobile phone games. Please see attached for more information. Through innovative interaction models, they allow users to understand the story and history of culture and have the potential to preserve and increase access to our culture and tradition.
2. Aims
The purpose of this exhibition is to display these recent exhibitions and projects to researchers and students, to stimulate creativity in digital cultural content design by taking advantage of recent new interactive multimedia technologies. It is hoped that these exhibitions could open a channel for possible collaboration.
game of life / survival of the fittest
for time for a vispo – challenge 3
flash source: 22b.fla (27KB)