Chris Joseph Electronic writer and artist

7Mar/11Off

Free/Libre Culture Forum sustainable models for creativity

Over 40 organizations endorse The Declaration and “How-to” guide to new models of sustainability in the digital era that are released today by the Free/Libre Culture Forum (http://2010.fcforum.net) after 4 months work.

http://fcforum.net/sustainable-models-for-creativity

Each year, the FCForum brings together key organisation and active voices in the sphere of free/libre culture. It responds to the need for an international arena to coordinate a global framework for action to defend and expand the sphere in which human creativity and knowledge can prosper freely and sustainably. As civil society, it is our responsibility to oppose practices that plunder this common heritage and to block its future development.

The Declaration and “How-to” guide to new models of sustainability in the digital era that we are releasing explain the issues for every “sectors”, list several “models” and defend our conviction that:

Copyright as we currently know it is counterproductive, and the restructuring of existing models is inevitable and imperative; attempts by some entities and corporations to profit through the creation of monopolies, often with the active connivance of government, should be brought to a stop; the sharing and exchange of ideas is of vital importance to culture and we must work towards maximising governmental or institutional initiatives that understand and support these dynamics; it is necessary and important that people be compensated for socially valuable creative work.

This document looks at some of the many existing and possible models . We should be encouraging and promoting experiments based on these ideas.

We invite citizens, policy reformers and institutions to take the content of this practical proposal into account and to use its release as an opportunity to discuss the future together.

We will continue to collect signatures and your contributions. With them we will be developing new versions as new requirements and new solutions appear.

Please, contribute to its dissemination.

http://fcforum.net

11Feb/110

The Future of Art: An Immediated Autodocumentary

The Future of Art

http://www.emergence.cc/2011/02/the-future-of-art/

What are the defining aesthetics of art in the networked era? How is mass collaboration changing notions of ownership in art? How does micropatronage change the way artists produce and distribute artwork? The Future of Art begins a conversation on these topics and invites your participation.
This video was shot, edited and screened at the Transmediale festival 2011 in Berlin, Germany.

Conceived and Edited by Gabriel Shalom
Produced by KS12 / Emergence Collective
Executive Producer: Patrizia Kommerell
Assistant Editor: Clare Molloy
Production Assistant: Annika Bauer

Featuring:

Aaron Koblin
Michelle Thorne
Caleb Larsen
Régine Debatty
Heather Kelley
Vincent Moon
Ken Wahl
Reynold Reynolds
Bram Snijders
Mez Breeze
Zeesy Powers
Joachim Stein
Eric Poettschacher

Including Video Material From:

Vincent Moon, Achim Kern, Born Digital, Daniel Franke & Christopher Warnow, Memo Akten, Ian Mackinnon, Taj Dhami, Liisalotte Elme, Zeesy Powers, Reynold Reynolds, Patrizia Kommerell & Gabriel Shalom, Aaron Koblin, Alessandro Ludovico & Paolo Cirio, Iepe, Akiz

Music, Sounds and Performances by:

The Arcade Fire, The Crowd, Daniel Franke & Christopher Warnow, Monolake, Daito Manabe, Zeesy Powers, Arlt, Ei Wada, Gabriel Shalom (8 years old), kom.post by Laurie Bellanca

Special Thanks:

Elyse Harrison, Studio Neptune, Cifarelli Art Consulting, Henrik Moltke, Beckie Darlington, Open Design City, Cara Bell Jones, Ela Kagel

CC 2011 BY-NC-SA
KS12 / Emergence Collective

Join the conversation!
#futureofart http://twitter.com/#search?q=%23futureofart

5Feb/110

David Gauntlett – Amplified Creativity: Making is Connecting – Phoenix Square Film and Digital Media Centre, Leicester, 23 February 2011, 7pm

‘Amplified Creativity: Making is Connecting’
Professor David Gauntlett, University of Westminster
7pm Wednesday 23rd February 2011

Phoenix Square Film and Digital Media Centre, Leicester

The talks are free but places are limited. Please register online at http://ampleic230211.eventbrite.com/

Through making things, people engage with the world and create connections with each other. Both online and offline, we see that people want to make their mark on the world, and to make connections. David Gauntlett will discuss the rise of a ‘making-and-doing’ culture, where people are rejecting traditional teaching and television, and making their own learning and entertainment instead. David Gauntlett is Professor of Media and Communications at University of Westminster. He is the author of several books, including Creative Explorations (2007), which was shortlisted for the Times Higher Young Academic Author of the Year Award, and Making is Connecting: The social meaning of creativity, from DIY and knitting to YouTube and Web 2.0 (2011). He produces the popular website about media and identities, www.theory.org.uk

Part of a series of monthly talks and conversations at Phoenix Square organised by Amplified Leicester, De Montfort University. The talks start at 7pm and last for one hour. Visit www.amplifiedleicester.com for full details about Amplified Leicester and how to join the online community

5Feb/110

Dialogues arts and science conference – Leeds, 19 March 2011, 9am-5pm

http://www.northernartsandscience.com/projects/conference-2011/

Conference 2011: Dialogues

Saturday 19th March 2011, 9-5pm
Rose Bowl, Leeds Metropolitan University
Tickets: £25 / £15 Concessions (Students/Benefits)
Group discount available (5 or more: £20/£10)

Deadline for bookings 28th February 2011

The conference will consists of two keynote lectures before lunch (provided) and seven workshops/seminars in the afternoon to which delegates can attend one each.

Supported by Arts Council England, Northern Arts and Science Network presents a one day arts and science conference.

This conference will provide an insight into the varied types and modes of discourse and conversations that are currently emerging from combinatory areas of arts/science research and collaboration. The conference will ask the core question: How do collaborations of arts and science manifest themselves?

Keynote Speakers

•Dr Julian Kiverstein, Edinburgh University. Teaching Fellow in the Department of Philosophy at Edinburgh University. Julian talk will revolve around sensory substitution devices. This is an example of the extended mind since it is brain, body and technology working together to help the patients to see. There’s actually some debate about whether the user really does “see” and this raises the interesting question of what does it mean to see.

•Dr David James, Sheffield Hallam University’s Extraordinary Moves Project. David will be presenting the project Extraordinary Moves: Science and Art in the Cultural Olympiad. Led by Sheffield Hallam University to explore the myriad of complex ethical and moral questions that arise from scientific pursuit of human enhancement, the project draws together a consortium of leading artists and scientists to create a new body of work incorporating theatre, performance, film, installation, photography and dance.

Workshop/Seminars

•The Science, Ethics and Art of Sport, led by Dr David James — Artist Jason Minsky and sports scientist David James explore the key ethical issues facing the world of sport in this interactive workshop. Wireless voting consoles will be used to quiz participants and gauge responses to a number of ethical dilemmas. Should disabled and non-disabled athletes be allowed to compete together? Why ban the use of drugs in sport? Should we replace referees and umpires with sensors and computers? What will sport look like in 2112?. Jason Minsky is a visual artist who has spent the past 12 months responding to these questions through a residency at the Centre for Sports Engineering Research, Sheffield Hallam University. David James is a leading sports engineer and commentator on the ethics of sport.

•Common Ground, led by Dr. Sophy Smith — A practical and enjoyable insight to working across the boundaries of art and science. The workshop will take the form of a mixture of practical activities and discussion, asking participants to reflect on their preconceptions and experiences of working with scientists and artists, focusing on essential similarities and differences and identifying where common ground can be found, upon which strong projects can be built. It aims to give participants an increased understanding of the working across art and science, practical skills in cross-discipline working and a space to reflect on past and future practice. Dr Sophy Smith is a principle Lecturer at the Institute of Creative Technologies, De Montfort University.

•Visualising the Invisible, led by Karen Heald — Building upon work developed at the psychiatric NHS unit, this collaborative arts and science workshop seeks to present new perspectives into the effects of anti-depressant medications. This collaborative arts/science practice explores these interests through creative, patient lead, artistic expressions of change alongside conventional, reductionist measures of changing depressive symptoms producing sophisticated fusions of art/science. The workshops will consist of a brief introduction, followed by round table dialogues working with either a scientist or an artist and finally there will be an open forum discussion. Karen Heald is an artist, researcher and academic. She also works as an Artist in Residence in a UK, National Health Service, acute inpatient psychiatric department.

•The Emergence of Consciousness, led by Anna Dumitriu — UK based performance and media artist Anna Dumitriu will create a short improvised performance to investigate what it feels like to be a robot. The workshop will include a discussion, a brainstorming session and performance exercises, which enable the participants to focus on how performance might potentially be considered as a methodology for science. Anna Dumitriu is a visual artist working with installations, interventions and performances that use a range of digital, biological and traditional media. She is Artist in Residence in The Centre for Computational Neuroscience and Robotics (CCNR) at Sussex University.

•Return to the Silence, led by Jack Lowe, Curious Directive — The objectives of the workshop are to question how theatre, as a live form of performance, can explore intricate questions of neuroscience and to open up the question of what can be learnt from the processes of the brain when creating a piece of devised theatre and what can science learn from artistic approaches to practise. Engaging participants in exercises which question the creative processes of the brain in a number of exercises – with particular focus on “movement and rhythm?. Participants then will be led by a theatre director, neurologist or composer whilst approaching the same question. Jack Lowe is currently the Trainee Director and Education leader for Paines Plough theatre company.

•The Observatories, led by Julie Freeman — The workshop session aims to explore how smell can be used in a manipulative way, and how an artistic concept and a science experiment can be combined into a participatory public artwork. It will include: a talk including an explanation of The Observatories; a session where participants will feedback on how smell can be used in art, in retail, in public spaces; and further discussion on issues surrounding placing a so-called scientific experiment in a public place. During the session various smells will be used to permeate the room! Julie Freeman is a graduate of the MA in Digital Arts at the Centre for Electronic Arts, Middlesex University, London and currently resident artist at the Microsystems and Nanotechnology Centre at Cranfield University, member of Market Project and Associate Researcher at Goldsmith’s Digital Studio.

•On The Emergence of Artificial Culture in Robots Societies, led by Dr Jenny Tennant Jackson and members of the Bristol Robotics Team — We should say that real robots would actually lead this workshop! They will be accompanied by (human) members of a team led by that has received EPSRC funding for a research project that will look at how ‘artificial culture’ emerges within a group of robots. The robots will be programmed to do simple tasks, and we will observe whatever outcome emerges. ‘Emergence’ is a specific characteristic of complexity science, or complex adaptive systems. It is recognisable as (evolutionary) change occurring within a group of entities or agents: in the way a “whole” acts beyond the sum of its parts; in the emergent moment of change. Observers in the workshop are essential as various subjective opinions of what it is we are observing is integral to the ‘science’. The team comprises: Professor Alan Winfield (Engineer and Roboticist, University of the West of England); Dr James Bown (Complex Systems Analyst, University of Abertay Dundee); Dr Robin Durie (Philosopher, University of Exeter); Professor Francis Griffiths (Social Scientist, University of Warwick); Professor Alistair Sutcliffe (Computer Scientist, University of Manchester); Dr Jenny Tennant Jackson (Art Historian and Cultural Theorist, Leeds Metropolitan University). PhD students: Sajida Bhamjee, Mehmet Erbas and Andy Guest. Post Doctoral researcher: Di Wang.

Conference will be chaired by Dr Jenny Tennant Jackson

22Jan/110

IFACCA (International Federation of Arts Councils and Culture Agencies) New Media art survey

IFACCA is a global network of arts agencies.

They want to figure out how best to assist ‘new media’ artists who dabble with digital/tech/media/biomass/etc and galleries/instiutitons that provide space and exposure for the works produced by those artists.

Right now they are sourcing input from various groups. IFACCA plans to develop a policy for its network members which will flow on to artists through programs and initiatives that hopefully results in funding and livelihood sustainability, as well as enabling artists to create the works they envisage.

You can help by completing the survey at http://www.surveygizmo.com/s3/438795/nma-input – it should take around 5 to 7 minutes to complete.

16Jan/110

Transmedia 101 – Roxy Bar and Screen, London, 29 January 2011

http://www.transmedia101.eventbrite.com/

Time
29 January · 10:00 – 15:30

Location
Roxy Bar And Screen
128-132 Borough High Street
LONDON, SE1 1LB

Book now at http://transmedia101.eventbrite.com/ & tell your friends too! ;)

Join storycentralDIGITAL transmedia producer/consultant and bestselling author, Alison Norrington straight back from her Transmedia Development Workshop in New York, for an inspiring one-day workshop in one of the best 5 cinemas in London, to discover:

- The History of Transmedia Storytelling
- Transmedia in the entertainment industry – from gaming to publishing, advertising to film to broadcast
- Incubation, Development & Production of a Transmedia IP
- Storybibles & Mythologies
- Planning & Platforms
- Transmedia Rollout Strategies
- Scope & Etiquette for Media Partnerships