MediaArtLab, Moscow: Media Forum 2009 – deadline 5 May 2009
Call for entries:
X Media Forum
in the frame of ???I Moscow International Film Festival
23-28 June 2009
Organizers: Centre for art and culture MediaArtLab, MediaFest, Moscow
Venues: “October” Cinema hall, “GazGallery”, Central House of Cinema, “Era” Foundation
Please find everything in: www.mediaforum.mediaartlab.ru
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MediaArtLab
Elena V. Rumyantseva, MediaArtLab program director
Nikitsky blvd, 12A, of. 736
119019, Moscow
Russian Federation
cell: + 7 (916) 358 67 52
Tel: + 7 (495) 291 88 93
Blood And The Moon
for remixworx, from mondrian money moon + Blood And The Moon by William Butler Yeats (1933)
flash source (303KB)
Call for Applications: Rhizome Curatorial Fellow – deadline 15 April 2009
Rhizome is a leading arts organization dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Through open platforms for exchange and collaboration, our website serves to encourage and expand the communities around these practices. Our programs, many of which happen online, include commissions, exhibitions, events, discussion, archives and portfolios. Rhizome is an affiliate of the New Museum of Contemporary Art. For more information about Rhizome, visit:
http://rhizome.org/info/
Rhizome seeks a Curatorial Fellow from late April through August 2009. The Fellow will support the curatorial and editorial departments at Rhizome through research, writing and administration. This position is a unique opportunity for a person interested in pursuing a career in contemporary art to further their engagement with the field and hone their professional skills.
The Curatorial Fellow must be based in New York and must be able to commit to 16 hours of work per week, for 6 months, beginning in Spring 2009. This position is unpaid, but academic credit may be arranged. The Curatorial Fellow will work directly with artists and be overseen by the Director and Senior Editor.
The Fellow’s primary responsibilities include:
* Coordination, and development of the Rhizome ArtBase, including managing submissions and reaching out to artists
* Curating sections of the Rhizome website
* Researching topics for editorial coverage
* Writing articles for Rhizome’s blog and publications
* Administrative support of programs, such as Rhizome’s monthly New Silent Series at the New Museum
* General support of the organization
QUALIFICATIONS: Candidates should have a level of familiarity with contemporary art and particularly new media and its history. Education or advanced experience beyond the undergraduate level is preferred. At a minimum, the candidate should have very strong writing, editing, and analytical skills, and very high internet literacy. Knowledge of Microsoft Office software is also required and basic Photoshop skills are preferred.
TO APPLY: Please email a cover letter, resume or c.v., three references, and three writing samples (url’s or attachments) to Ceci Moss at editor(at)rhizome.org. Review of applications will begin immediately. Deadline is April 15, 2009.
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Ceci Moss
Senior Editor
Rhizome
at the New Museum
235 Bowery
New York, NY 10002
212-219-1288 ext. 258
http://www.rhizome.org
Version – new online journal for short-form writing and media work
v.
version
announcing the launch of the new online journal Version with contributions by Benjamin Bratton, Alphonso Lingis, Masao Miyoshi, Allen Shelton, Lesley Stern, Kathleen Stewart, Michael Taussig, and John Welchman
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Version is a new online journal for short-form writing and media work. It presents scenes, incidents, encounters, and sensory experiences drawn from everyday life, in which concepts are not only elaborated but enacted.
Version works in close-up, cultivating moods, atmospheres, and various forms of bodily apprehension and awareness. It aims for a quality of intimacy, presence, and affective charge: a material openness to unexpected forms of encounter. At the same time, it works laterally, conducting transversal operations across object-boundaries, attuned to the rhythms, flows, and layered ecologies that constitute the phenomenal world.
Each Version editorial item adheres to the following formal constraint: a maximum of 500 words, 5 images, or 50 seconds.
With its formal and rhetorical approach, Version embodies new patterns of readership and network-enabled economies of attention, which can involve time-constrained multitasking and transversal readings across media venues. It spans specialized discourses, genre categories, and disciplinary divides, while encouraging the reception, rearrangement and redistribution of its material in new social networks and assemblages. It is less a bounded publication than an editorial ecology — a dynamic system through which unexpected editorial properties and forms can emerge.
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Version is produced by the Visual Arts Department, University of California, San Diego; the UCSD Division of Arts and Humanities; the California Institute for Telecommunications and Information Technology (Calit2); and the Software Studies Initiative.
Editors: Jordan Crandall and Caleb Waldorf. Website Design and Development: Caleb Waldorf and John W. Pattenden-Fail.
Additional support provided by the UCSD Center for the Humanities; the University of California Institute for Research in the Arts (UCIRA); the Center for Research in Computing and the Arts (CRCA); and the University of California Digital Arts Research Network (UC DARnet).
Inanimate Alice in ‘A Slow Reveal’, University of Maryland Art Gallery
The first installment of the virtual exhibition ‘A Slow Reveal’ in University of Maryland Art Gallery was launched on March 25. The Art Gallery opened a New Media Room, where individuals can explore the exhibition on two personal viewing stations, and groups of people can interact with a projected viewing station. Every Wednesday for the next four weeks, projects will be added to the exhibition, including established and emerging artists.
All four episodes of Inanimate Alice are showing alongside work by Andy Campbell/Judi Alston (‘Clearance’ and ‘Dim O’Gauble’), J. R. Carpenter (‘Entre Ville’ and ‘in absentia’), and Annette Weintraub (‘Waiting Room’ and ‘Life Support’).
Main gallery site: http://www.artgallery.umd.edu
10 years (cyberliterature) X 50 years (Neoconcrete Movement) and more Madame La Marquise
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pintor http://pintor.tumblr.com
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The White and the Black, Reflections on Fog – 10 years
A pionner cyberliterature work, created by Regina Pinto in 1999
The eletronic artist’s book “The White and the Black, Reflections on Fog”, created in 1999, is being re-launched (original version). Now the download is very fast, but in 1999, it was necessary much time to watch it. So, in 2001, it became a cd-rom. How technology develops fast! Will it be that in 2019 it will be possible to see this work yet? … How will the internet be in 2019? And the computers?
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Neoconcrete Movement – 50 years in 2009
Do you want to know more about it?
This pintor’s edition brings a hommage to this wonderful Brazilian (carioca) artistic movement.
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Divirta-se com Madame La Marquise (1935) which our friend Paulo Villela sent us!
Divirta-se com Madame La Marquise (1935) que nosso amigo Paulo Villela nos enviou!
Tout Va Tres Bien Madame La Marquise
http://www.youtube.com/watch?v=rdLUV0hhYZY
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ALL BEST,
TUDO DE BOM,
pintor aka Madame La Marquise ;-)
Categories
UK/Online Digital Arts Events
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