Chris Joseph Electronic writer and artist

31Mar/090

MediaArtLab, Moscow: Media Forum 2009 – deadline 5 May 2009

Call for entries:

X Media Forum
in the frame of ???I Moscow International Film Festival
23-28 June 2009

Organizers: Centre for art and culture MediaArtLab, MediaFest, Moscow
Venues: “October” Cinema hall, “GazGallery”, Central House of Cinema, “Era” Foundation

Please find everything in: www.mediaforum.mediaartlab.ru

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MediaArtLab
Elena V. Rumyantseva, MediaArtLab program director
Nikitsky blvd, 12A, of. 736
119019, Moscow
Russian Federation

cell: + 7 (916) 358 67 52
Tel: + 7 (495) 291 88 93

29Mar/090

Blood And The Moon

for remixworx, from mondrian money moon + Blood And The Moon by William Butler Yeats (1933)

flash source (303KB)

29Mar/090

Call for Applications: Rhizome Curatorial Fellow – deadline 15 April 2009

Rhizome is a leading arts organization dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Through open platforms for exchange and collaboration, our website serves to encourage and expand the communities around these practices. Our programs, many of which happen online, include commissions, exhibitions, events, discussion, archives and portfolios. Rhizome is an affiliate of the New Museum of Contemporary Art. For more information about Rhizome, visit:
http://rhizome.org/info/

Rhizome seeks a Curatorial Fellow from late April through August 2009. The Fellow will support the curatorial and editorial departments at Rhizome through research, writing and administration. This position is a unique opportunity for a person interested in pursuing a career in contemporary art to further their engagement with the field and hone their professional skills.

The Curatorial Fellow must be based in New York and must be able to commit to 16 hours of work per week, for 6 months, beginning in Spring 2009. This position is unpaid, but academic credit may be arranged. The Curatorial Fellow will work directly with artists and be overseen by the Director and Senior Editor.

The Fellow’s primary responsibilities include:

* Coordination, and development of the Rhizome ArtBase, including managing submissions and reaching out to artists
* Curating sections of the Rhizome website
* Researching topics for editorial coverage
* Writing articles for Rhizome’s blog and publications
* Administrative support of programs, such as Rhizome’s monthly New Silent Series at the New Museum
* General support of the organization

QUALIFICATIONS: Candidates should have a level of familiarity with contemporary art and particularly new media and its history. Education or advanced experience beyond the undergraduate level is preferred. At a minimum, the candidate should have very strong writing, editing, and analytical skills, and very high internet literacy. Knowledge of Microsoft Office software is also required and basic Photoshop skills are preferred.
TO APPLY: Please email a cover letter, resume or c.v., three references, and three writing samples (url’s or attachments) to Ceci Moss at editor(at)rhizome.org. Review of applications will begin immediately. Deadline is April 15, 2009.


Ceci Moss
Senior Editor
Rhizome
at the New Museum
235 Bowery
New York, NY 10002
212-219-1288 ext. 258
http://www.rhizome.org

29Mar/090

Version – new online journal for short-form writing and media work

v.

version

http://version.org

announcing the launch of the new online journal Version with contributions by Benjamin Bratton, Alphonso Lingis, Masao Miyoshi, Allen Shelton, Lesley Stern, Kathleen Stewart, Michael Taussig, and John Welchman

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Version is a new online journal for short-form writing and media work. It presents scenes, incidents, encounters, and sensory experiences drawn from everyday life, in which concepts are not only elaborated but enacted.

Version works in close-up, cultivating moods, atmospheres, and various forms of bodily apprehension and awareness. It aims for a quality of intimacy, presence, and affective charge: a material openness to unexpected forms of encounter. At the same time, it works laterally, conducting transversal operations across object-boundaries, attuned to the rhythms, flows, and layered ecologies that constitute the phenomenal world.

Each Version editorial item adheres to the following formal constraint: a maximum of 500 words, 5 images, or 50 seconds.

With its formal and rhetorical approach, Version embodies new patterns of readership and network-enabled economies of attention, which can involve time-constrained multitasking and transversal readings across media venues. It spans specialized discourses, genre categories, and disciplinary divides, while encouraging the reception, rearrangement and redistribution of its material in new social networks and assemblages. It is less a bounded publication than an editorial ecology — a dynamic system through which unexpected editorial properties and forms can emerge.

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Version is produced by the Visual Arts Department, University of California, San Diego; the UCSD Division of Arts and Humanities; the California Institute for Telecommunications and Information Technology (Calit2); and the Software Studies Initiative.

Editors: Jordan Crandall and Caleb Waldorf. Website Design and Development: Caleb Waldorf and John W. Pattenden-Fail.

Additional support provided by the UCSD Center for the Humanities; the University of California Institute for Research in the Arts (UCIRA); the Center for Research in Computing and the Arts (CRCA); and the University of California Digital Arts Research Network (UC DARnet).

Filed under: Announcements No Comments
27Mar/090

Inanimate Alice in ‘A Slow Reveal’, University of Maryland Art Gallery

http://www.artgallery.umd.edu/exhibit/292.09/index.html

The first installment of the virtual exhibition ‘A Slow Reveal’ in University of Maryland Art Gallery was launched on March 25. The Art Gallery opened a New Media Room, where individuals can explore the exhibition on two personal viewing stations, and groups of people can interact with a projected viewing station. Every Wednesday for the next four weeks, projects will be added to the exhibition, including established and emerging artists.

All four episodes of Inanimate Alice are showing alongside work by Andy Campbell/Judi Alston (‘Clearance’ and ‘Dim O’Gauble’), J. R. Carpenter (‘Entre Ville’ and ‘in absentia’), and Annette Weintraub (‘Waiting Room’ and ‘Life Support’).

Main gallery site: http://www.artgallery.umd.edu

27Mar/090

10 years (cyberliterature) X 50 years (Neoconcrete Movement) and more Madame La Marquise

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pintor http://pintor.tumblr.com

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The White and the Black, Reflections on Fog – 10 years

A pionner cyberliterature work, created by Regina Pinto in 1999

The eletronic artist’s book “The White and the Black, Reflections on Fog”, created in 1999, is being re-launched (original version). Now the download is very fast, but in 1999, it was necessary much time to watch it. So, in 2001, it became a cd-rom. How technology develops fast! Will it be that in 2019 it will be possible to see this work yet? … How will the internet be in 2019? And the computers?

http://pintor.tumblr.com

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Neoconcrete Movement – 50 years in 2009

Do you want to know more about it?

This pintor’s edition brings a hommage to this wonderful Brazilian (carioca) artistic movement.

http://pintor.tumblr.com

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Divirta-se com Madame La Marquise (1935) which our friend Paulo Villela sent us!
Divirta-se com Madame La Marquise (1935) que nosso amigo Paulo Villela nos enviou!
Tout Va Tres Bien Madame La Marquise
http://www.youtube.com/watch?v=rdLUV0hhYZY

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ALL BEST,

TUDO DE BOM,

pintor aka Madame La Marquise ;-)

26Mar/090

Call for moving image works – Outcasting

Outcasting is an online moving image gallery.

This is a voluntary organisation that offers a platform for practitioners of the moving image. Artists, filmmakers, animators and documentary makers are selected for screenings of their work in bimonthly Seasons and will then be archived on the site. There will also be public screenings, events and some work will be distributed on DVD.

Outcasting is always looking for submissions to screen in the next Season. If you work with moving images and want your work to be considered then do one of the following;

1. Send a URL if your work is online.
2. Send a data DVD with .mov files of your work to Outcasting, c/o Michael Cousin, 116 Paget Street, Grangetown, Cardiff, United Kingdom. CF11 7LA.
3. Email your work via http://www.pando.com (up to 1GB for free or 3GB for $24.95 a year) or http://www.humyo.com (up to 10GB storage free or 100GB for £39.99 a year).

Website: http://www.outcasting.org
Location: Cardiff, United Kingdom

Facebook: www.facebook.com/group.php?gid=25358819024

Filed under: Opportunities No Comments
26Mar/090

English students create their own versions of Inanimate Alice

Story added March 16 by LaToya S., Theresa K., Diana M., Mitchell C., Angie E.

Story added March 16 by Kevin A., James N., David H.

Story added March 16 by Sean R., Adam S., Justin G., DJ B., Ryan S., Ariel S.

Story added March 16 by Ryan L., Matt L., Erik B., Stephen T., Anna H.

Story added 25 March 2009 by 3rd period

Story added 25 March 2009 by 6th period

Story added 25 March 2009 by 7th period

 

Teacher Diane Aronow provides background on students that have created work inspired by the Inanimate Alice series:

They are all high school special education students, many with learning disabilities, and many that really dislike reading and writing. When I first discovered the Inanimate Alice episodes, I thought they would be perfect for my students. I made up a Unit for them, including some ideas from the educational pack your site provides and adding some of my own ideas. The images, sound, and interactivity truly engaged them and still lent itself to “teaching” literary elements such as setting, mood, characterization. When we completed the 4 episodes, my students couldn’t stop asking, “When is Episode 5 coming out?” I finally said, “You guys are going to create your own!” I had 4 different classes, each working as a collaborative group. They used a program called PhotoStory 3, which I’m guessing is similar to iStories. My students wished they could have had their episodes “do more”, such as moving text, or clicking on objects, etc. Overall they were happy with their results. I actually had them use an evaluative rubric to score them to see which episode “won”. It was a great learning experience.

 

iTeach Inanimate AliceSee the educational area of the Inanimate Alice site (http://www.inanimatealice.com/education/) ] for more on the growing uses of Inanimate Alice to teach reading, creative writing and digital literacy.

25Mar/090

Call for submissions – 6th World’s Poetry Festival 2009 – deadline 31 May 2009

[from Keyla Holmquist]
http://www.holmquistartecorreo.blogspot.com/

The 6th World’s Poetry Festival 2009 will take place on june and july as a tribute to a venezuelan Poet named Juan Calzadilla (National Prize of Plastic Arts 1996).

This event will be sponsored by Ministerio del Poder Popular para la Cultura and Casa Nacional de las Letras Andrés Bello, so my art archive willheld:

THE 5th INTERNATIONAL ENCOUNTER OF VISUAL POETRY
OPEN NOTIFICATION – NO SELECTION – NO JURY
Everything received will be exhibited – Documentation [to all of you].
NO RETURNS.
Everything sent will be part of the MAIL ART ARCHIVE KEYLA HOLMQUIST.

All the material has to be mailed to:

Keyla Holmquist
ARCHIVO DE ARTE CORREO
Apartado Postal 326
Maracay 2101
Estado Aragua VENEZUELA

DEADLINE MAY 31 st, 2009

All the material should be sent perfectly packed in order to prevent damage and with a copy of a data card, stuck on the back of the package.

CATEGORIES:

DRAWING, PAINTING, GRAPHIC, PHOTOGRAPHY, ARTIST SEALS, COPY-ART, EXPERIMENTAL ART.

OBJECTS/ARTIST’S BOOKS:

Measures UP TO A4 MAXIMUM. The base or pedestal needed should be provided by the artist.

POETRY, FREE VERSE OR RHYME, PROSE, NARRATIVE, ESSAY, STORIES.

VISUAL POETRY:

Collage, visual poems, process poetry, illustrated poetry, labyrinth poems, phonetic poems, audible poems, semiotic, palindrome, holopoems, concrete poetry, video action, photo action, object poem, pseudovisual poetry, braille poetry.

VIDEO, SHORTFILM, DOCUMENTARY, ANIMATION:

All videos will be admitted, shortfilms, photography, documentaries, animations that do not exceed 8 minutes of length and they must be delivered on CD or DVD format ready for its presentation.

MULTIMEDIA EXPRESSION:

They will be admitted on CD or DVD format ready for its presentation including the credits, the photography, the list of the soundtrack that was used and the name of the author.

AUDIO FORMAT:

the audio format admitted has to be:
Wave 44,100 Hz 16 bit stereo
Mp3 from 96 ‘til 320 KPSS
If the expression is audible, high fidelity required.

23Mar/090

Call for works, ASPECT Vol 14 (‘Middle East’) – deadline 15 April 2009

OPEN CALL—VOLUME 14: MIDDLE EAST

ASPECT: The Chronicle of New Media Art, a biannual DVD publication, is currently accepting submissions of work for Volume 14: Middle East. From ancient times to the contemporary moment, this region is a crucible of cultural, religious, economic, political and strategic import. We seek new media work focused on any aspect of this sensitive region, and are specifically interested in work generated in the Middle East, but will consider all work focused on the topic. We will review installation, video, performance, sound, and any other work best documented in time-based format.

The staff of ASPECT is asking artist/commentator pairs to submit proposals of time-based work made in, or focused on, the Middle East. Commentators may be curators, historians, critics, or educators who can offer a distinct perspective on the work. Due to the format of the publication, the criteria for selection will include both the qualifications of the commentator and the quality of the work submitted. Audio recordings of the commentary will be assembled after the submissions have been selected.

Submissions should include:
- Video documentation of a work or small group of works by a single artist
(no more than 15 minutes in length)
- A brief (100 word) statement regarding the submitted work
- Resume of the artist
- Contact information for the commentator and artist
- Resume of the commentator
- Brief notes outlining the proposed commentary w/ respect to theme

Submissions must be received by APRIL 15, 2009 and sent to:
ASPECT: The Chronicle of New Media Art
46 Waltham Street, suite 103
Boston, MA 02118
617.695.0500

All artists will be contacted via email regarding their submission no later than May 15, 2009

For more information see our FAQ:
http://www.aspectmag.com/contact/faq.cfm

Company Information —The mission of ASPECT is to foster a deeper and more intimate understanding of contemporary new media art by expanding access, education, and distribution of the genre. ASPECT pioneered DVD distribution of artworks and continues to set the standard for new media art publishing and distribution. ASPECT Magazine is a biannual DVD magazine of new media art. Each issue highlights 5-10 artists working in new media whose works are best documented in video or sound, including in-depth information on the artists and commentary by distinguished curators and critics. Individual issues and subscriptions are available directly from the ASPECT web site.