Chris Joseph Electronic writer and artist

16Feb/090

‘Poetry Beyond Text’ at the Universities of Dundee and Kent, UK

Researchers at the Universities of Dundee and Kent have just been awarded a major grant from the Arts and Humanities Research Council, to study poetry ‘beyond text’.

Digital media and contemporary print production techniques are allowing poets and artists to combine words and images in new and exciting ways, including web-based and interactive ‘digital poetry’ and artists’ books. However, they are drawing on a long and rich tradition, including 20th-century ‘concrete poetry’, visual text works of Cubist, Futurist and Dadaist artists, William Blake’s poem engravings of the Romantic era, Gutenberg’s movable type with woodcut images, illuminated medieval manuscripts, and Renaissance pattern poetry. Psychologists have established that we ‘read’ and process text and images in different ways. So what are the specific perceptual and cognitive processes involved in responding to such hybrid works operating at the threshold between word and image, the textual and the visual? And how might an exploration of our responses help scholars to interpret these works, and inspire or inform poets and artists to create new works?

The project, entitled Poetry Beyond Text: Vision, Text and Cognition involves researchers in English, Comparative Literature, Psychology and Fine Art in a 2-year partnership between the two universities. The team will be led by Dr Andrew Michael Roberts of the Dundee School of Humanities English Programme.

Funded by the AHRC’s multi-million pound Beyond Text Scheme, the project will combine the methods of literary criticism, creative practice and human experimental psychology to study a wide range of works: digital poetry, books of poetry and photography, artists’ books and concrete and pattern poetry. Involving poets, artists, scholars, scientists, students and members of the public, it will explore some of the rich interactions of text and image in contemporary culture, and produce both creative and analytical results, to be made available through exhibitions, new works of art, a website and an on-line gallery.

Researchers:
Dr Andrew Michael Roberts, Dr Martin Fischer, Dr Mary Modeen (University of Dundee);
Dr Anna Katharina Schaffner, Dr Ulrich Weger (University of Kent)

Contacts:
Dr Andrew Roberts – email A.M.Roberts [at] dundee.ac.uk
Dr Anna Katharina Schaffner – email A.K.Schaffner [at] kent.ac.uk

16Feb/090

Ruben & Lullaby by Erik Loyer and Ezra Claytan Daniels

Ruben & Lullaby, a game in which you use touch and gesture controls to shape the outcome of a lovers’ quarrel, is available for sale on the App Store for iPhone and iPod touch.

The game is Erik Loyer’s first iPhone project, features illustrations by Ezra Claytan Daniels, and is the first of a planned series of works called “opertoons”, stories you can play like musical instruments.

http://www.opertoon.com/

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16Feb/090

The Iowa Review Web, Vol 9 No 2 – “Instruments and Playable Text”

TIR-W Volume 9 no. 2
Instruments and Playable Text

http://research-intermedia.art.uiowa.edu/tirw/vol9n2/

Featured Authors and works:
Judy Malloy: Concerto for Narrative Data
John Cayley: riverIsland QT
Nick Montfort: The Purpling
Shawn Rider: So Random: PiTP
Elizabeth Knipe: activeReader
Stuart Moulthrop: Under Language

TIR-W has been publishing e-lit works and essays since 1999.

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16Feb/090

Museum of the Future of the History of the Book

http://bookfutures.blogspot.com/2009/02/mofohobbing.html

The first draft of the opening video from MOFOHOB (the Museum of the Future of the History of the Book), a project organised by Chris Meade (Director of if:book london). MOFOHOB is an experience in reading designed to unfold with Year 8 and 9 school students and to be piloted this spring in 4 secondary schools in the UK, with work commissioned from Cory Doctorow, Michael Rosen, Naomi Alderman, Jacob Polley, Eva Salzman, Kate Pullinger and myself, who are being asked to write literature of the future. Artist Toni Lebusque is rendering classic and contemporary texts in different new media formats from Flash animation to CommentPress, in Manga, machinema and more; poet Daljit Nagra is advising on the selection of texts to include and web developer Simon Fox is creating a customised site for the project while Chris Meade is developing the overall story with writer and actor Cindy Oswin. The aim is to create a package that will be freely available to all schools from this autumn.

16Feb/090

The Puzzle Box (complete), by Edward Picot

From Edward:

I have now finished revising The Puzzle Box, as follows:

1. A new interface/front cover
2. One new Help Card animation and a couple of minor amendments to other animations
3. More sparing use of the box-icon within the chapters: it now only appears at those points where the box is mentioned in the narrative, and where readers will find something new if they click to open it
4. The page-background for Chapter Three has been redesigned
5. The text has been thoroughly proof-read and various minor amendments have been made
6. On the back of this (show me the money!), a print version is now available via www.lulu.com and will soon be available from Amazon

http://www.edwardpicot.com/puzzlebox/
(If you don’t see the new interface, with lots of pictures on it, when you get to the Puzzle Box index-page, click CTRL + Refresh to update.)

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15Feb/090

Interdisciplinary Research Fellow in Digital Culture, Cambridge UK – deadline 6 March 2009

The Cultures of the Digital Economy Research Institute
Faculty of Arts, Law, and Social Sciences

Ref: 6109

Based in Cambridge

Fixed term contract for one year in the first instance

£29,704 – £34,435 p.a.

Join us as we enter an exciting new phase of our development. Our ambition is to be recognised as a truly 21st century university, fully relevant to the changing needs of students, staff and employers. With our energy, enthusiasm and ambition matched by our friendliness and approachability, Anglia Ruskin University is a great place to be.

You will join the interdisciplinary team of the Cultures of the Digital Economy Research Institute, a project housed within the Faculty of Arts, Law and Social Sciences. The Institute involves colleagues working in media theory, humanities computing, digital music and video, fine arts, video games, serious gaming and digital text, yet also has an important scientific contribution from colleagues involved with design and technology, audio engineering and computer design and animation.

The Interdisciplinary Fellow in Digital Culture is expected to take a key role in the Institute’s activities. You must be familiar with state-of-the-art experimental, theoretical and practical issues in cultural theory, arts and the emerging sciences of digital culture. You are expected to have advanced IT skills and a knowledge of the field(s) of interactivity in sound and/or digital image would be an advantage. The Fellow will typically engage in personal research and publishing in the field of digital culture and collaborative research initiatives that bring together the different strands of the Research Institute.

The project commences in March 2009, or as soon as possible thereafter.
For further information please contact Prof Eugene Giddens, on 0845 196 2965 or eugene.giddens [at] anglia.ac.uk

Closing Date: 06 March 2009 (12 noon)

It is anticipated interviews will take place on 20 March 2009

CVs will only be accepted if accompanied by a completed University Application form.

Further details are available from telephone 0845 196 4740 (24 hours). E-mail jobs [at] anglia.ac.uk or visit on-line at www.anglia.ac.uk/hr/jobs