Chris Joseph Electronic writer and artist

28Nov/080

Broadway Boogie Woogied

for remixworx, from epi grid1 + Broadway Boogie Woogie

flash source/font: bbw.zip [76KB]

28Nov/080

MediaGuardian Innovation Awards – deadline 5 December 2008

Call them what you like, but we are looking for the ideas that have moved things on across the media landscape in the last year. We’re not interested in the solid or predictable, or work that is safe, comfortable or familiar. The Megas aim to reward work that challenges what exists, and recognise the people who act as a catalyst for change with their forward thinking.

The awards are open to innovative work carried out across any media or a number of media. Entries can be submitted by clients, agencies or individuals from any sector. However, regional and national newspapers are not eligible. The closing date for entries is Friday December 5 2008.

In all categories the judging panel will be looking for innovation in both ideas and methods. The Megas will reward innovations which are ingenious in theory and sublime in application. The future is being built on the innovations of today. Has your work pushed things forward?

For more information and to enter visit mediaguardian.co.uk/awards

25Nov/080

Kieron Dennis, ‘Question, Answer, Question’ – a telephone installation

TELEPHONE +44 (0) 2075039044

Kieron Dennis, ‘Question, Answer, Question’

22 November – 21 December 2008

In 1934, the writer, H. G Wells, is said to have complained about telephones being an invasion of privacy. Rather than have news forced upon us as and when, Wells proposed a one-way telephone that would deliver information upon demand. According to historian, John Brooks, Wells was responding to what literary theorist, Avital Ronell, describes as the ‘disconnecting force’ of the telephone: a force that simultaneously disturbs and attracts us to such machines. Brooks suggests that Wells picked-up on that ‘projective trait of the telephone, which is the launching of speech – and speech alone – in the direction of the other in constant demand for immediate readiness.’ It is a demand that is answered by a question, which is at the same time an answer: ‘Yes?’ or ‘Hello?’ As such, answering a telephone becomes a declaration of readiness to receive and engage.

Kieron Dennis’s new work for Telephone, ‘Question, Answer, Question’, reports an incident. The information flows in one direction only, towards the listener: this is an encounter rather than a dialogue. The ‘demand for immediate readiness’ here is one of listening instead of speech.

The information in Dennis’s work seems pressing and urgent, but also somehow distant and disconnected from any specific context. And as much as knowledge is imparted, ignorance is admitted. A series of subtle inversions punctuate the work: subjects speak of one thing whilst, unwittingly, betraying another. Objects and images conjured by work, and that the listener might take to mean one thing, might well have come to mean something quite different.

Telephone is a project that uses a telephone number to present artworks (sound works). Telephone is an exhibition space, like a gallery, but one that offers space as time-duration rather than as physical dimensions. Telephone operates via a standard digital answering machine set to ‘answer only’. Telephone can be called by anyone, from anywhere, at any time (with calls being charged at a standard land-line rate). It makes use of a single telephone line, which means that each individual caller has sole access to the work at any one time: Telephone is not a broadcast.

Telephone +44 (0) 2075039044

Telephone is a project by Claire Davies and Sam Gathercole

email: information.telephone [at] gmail.com

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24Nov/080

“Lift up your heads, O ye gates” – an appreciation of David Daniels

Newly co-published by Furtherfield and The Hyperliterature Exchange: an appreciation of David Daniels, the great shape-poet, who died in May 2008.

“Daniels is one of those figures who straddles the divide between digital and pre-digital art and literature… His art is about liberation, uninhibited outpouring, spontaneity and fun.”

To read the whole article, go to http://www.hyperex.co.uk/reviewdaniels.php .

A page of tributes to David Daniels (entitled “Tributes to David Daniels by divers hands”) is also being compiled at http://hyperex.co.uk/reviewdanielstributes.php . If you would like to add a tribute of your own (in whatever form you prefer), please send it to edward at edwardpicot.com – a small prize will be sent to the best one received before 1st March 2009.

24Nov/080

Eyebeam residencies – deadline 1 December 2008

Eyebeam Residencies: Winter/ Spring 2009

You’ve got big ideas. You’re yearning to join NYC’s art and tech elite. You could use some time and money—not to mention support and inspiration—to create visionary projects. If any of these apply to you, then apply now for Eyebeam’s Winter/Spring 2009 Residency cycle. Residents are granted a $5,000 stipend and 24/7 access to Eyebeam’s Chelsea facility.

The program term is from February to June with the potential for extension and/or re-application. Residents will be selected from an open call, based on the quality of the work or research being proposed, the availability of the necessary tools and skills to support the work, and in consideration of the overarching research themes and activities of the organization.

About the Residency

Eyebeam residencies support the creative research, production and presentation of initiatives querying art, technology and culture. The residency is a period of concentration and immersion in artistic investigation, daring research or production of visionary, experimental applications and projects. Past initiatives have ranged from moving image, sound and physical computing works to technical prototypes, installations and public interventions. Check out our list of previous residents and their projects/ research here: http://www.eyebeam.org/production/production.php?page=air

For more info on what the residency entails, including answers to FAQs and how to apply, please visit http://www.eyebeam.org/production/production.php?page=calls

24Nov/080

Graduate Studies at the MIT Media Lab

Interested in Creative, Cutting-Edge, Interdisciplinary Graduate Studies?

If you are thinking about going to graduate school, passionate about helping people, and interested in shaping the future of technology, consider applying to the MIT Media Lab. The Media Lab has one of the best graduate programs in the US, one that offers unique opportunities to do creative, cutting-edge, and radically interdisciplinary research. It is one of the few places in the world where leading scientists, designers, and scholars — in fields as diverse as robotics, art, neuroscience, and education — work together to revolutionize how humans experience, and can be aided by, technology.

Students come to the Media Lab through the Program in Media Arts and Sciences, and all students receive full financial support (tuition, medical insurance, and a stipend). Each year, the program accepts approximately 35 new graduate students. Student backgrounds range from computer science to psychology, music to graphic design, architecture to mechanical engineering, to name a few.

Each graduate student works in one of the Media Lab’s 27 research groups under the guidance of a primary research advisor (see http://admissions.media.mit.edu/admissions/research). When you apply, you should specify up to 3 possible advisors whose research interests resonate with your own. To find out more about a particular research group, check out the group’s website.

For more information, see http://www.media.mit.edu/admissions. If you have questions, or would like to arrange a visit to the Media Lab, please send a message to admissions09 [at] media.mit.edu. Also feel free to email me with questions or if you are specifically interested in applying to my group.

Best,
Leah Buechley
Assistant Professor of Media Arts and Sciences (starting January 2009)
Director, High-Low Tech Group
MIT Media Lab
http://www.media.mit.edu/~leah

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