Courtisane Festival 2009 – deadline 31 December 2008
No definite dates yet, but the 8th edition of courtisane festival will take place end of april 2009. And here’s the call for entry… You can send your film/project to Courtisane. The submission form and regulations can be found on www.courtisane.be! The submission deadline is 31 december 2008.
Videonale 12 call for entries – deadline 31 August 2008
CALL FOR ENTRIES – VIDEONALE 12
Application deadline: 31 August, 2008
MONITORING THE FUTURE
“We are looking for video art which, today, is already part of tomorrow’s breeding ground,” says Georg Elben, curator of the VIDEONALE 12. Quo vadis video art ? this is the question the VIDEONALE at the Bonn Kunstmuseum has addressed every two years since 1984. As of now all artists are invited to apply for the VIDEONALE 12 with a video work created in the past two years.
One of the oldest festivals for video art in the world, VIDEONALE 12 will present the latest trends in video art from 26 March to 26 April 2009. There is no set topic for submissions, but only single-channel works can be entered. VIDEONALE 12 will open with a four-day festival featuring a variety of events. The exhibition will run for four weeks, showcasing 40 to 50 video works chosen by an international jury. VIDEONALE has “always had the advantage, as a kind of film festival for video art, of being able to provide a realistic assessment of the current filmic state of development of this genre. That is what defines its function as an aesthetic gauge.” (K.WEST) The works featured at VIDEONALE 12 will be shown in other international institutions following the exhibition at the Bonn Kunstmuseum; the works chosen for VIDEONALE 11 were, among others, shown in 2007 at the Reina Sofia Museum in Madrid and 2008 at the Bangalore Goethe Institut.
“Thinking outside the box” the Bonn Videonale is looking for new ways of presenting video art,”(Süddeutsche Zeitung) – VIDEONALE is particularly interested in developing new forms of presentation for video art beyond the black box. For the past years each VIDEONALE has commissioned a new team of architects and designers to create an innovative exhibition design, both technically and artistically, for presenting the exhibition in the context of a museum. “We are happy about the attention and broad recognition from the specialist audience we have received in the last years for our pioneering work in this field where, so far, only a small number of convincing approaches have been found,” says Georg Elben.
The videos presented at VIDEONALE 12 will automatically be taking part in the competition for theVideonale award worth 5.000 Euro which will be awarded by a second international jury.Application deadline is 31 August 2008. All information and entry forms can be found athttp://www.videonale.org
Contact:
Videonale e.V. im Kunstmuseum Bonn
Friedrich-Ebert-Allee 2
D- 53113 Bonn
Tel: +49 (0) 228 692 818
einsendungen [at] videonale.org
http://www.videonale.org
XXIV.A.I.R. International Artists Residencies/Exhibition – Budapest, Hungary – first deadline 15 September 2008
The Hungarian Multicultural Center (HMC) is currently accepting applications for the Budapest -International Artist/Writer Residencies.
Great opportunity for artists: Culture is the true identity power.
1. Deadline (must be received) September 15, 2008 for November AIR
2. Deadline (must be received) October 15, 2008 for December – January AIR
Residencies Dates
1. Wednesday, November 5 – Tuesday, November 18, 2008
Seminar on November 5th
2. Saturday, December 27 – Friday, January 9, 2009
Seminar on December 29 and 30th
For application form or questions please write to:
Beata Veszely: veszelyb [at] gmail.com or
Beata Szechy: bszechy [at] yahoo.com
www.hungarian-multicultural-center.com
Artsactive
Artsactive is an international network of projects, organisations or individuals involved in artists collaborations with science and industry research labs. It was created in 2006, and gathers now 14 organizations and 4 experts.
Organisers are;
* /ANAT
* /Artistsinlabs
* /The Arts Catalyst
* /Arts Council England
* /Arts & Genomics Center
* /Disonancias
* /Ectopia
* /FUSE: cadre_montalvo artist research residency
* /ITEM
* /SymbioticA
* /TransGenesis
The network includes primarily the main organisers of programs of collaboration between artists and science or industry research labs, but also collaborators that study, influence or otherwise motivate such programs.
For further information, go to the website:
http://artsactive.net/en/network/
Ars Electronica – A New Cultural Economy; The Limits of Intellectual Property – Linz, 4-9 September 2008
Under the banner of “A New Cultural Economy; The Limits of Intellectual Property” the 2008 Ars Electronica Festival aims to co-author the preamble to a new knowledge-based society. What’s at stake: the interplay of freedom of information and copyright protection, big profit-making opportunities and the vision of an open knowledge-based society. And this is also a matter of practical, workable regulations governing this new reality, rules whose formulation ought not to be left up to lawyers and MBAs alone.
Ars Electronica invites artists, network nomads, theoreticians, technologists and legal scholars from all over the world to convene in Linz in September. Their artistic and scholarly investigations in the form of symposia, exhibitions, performances and interventions will transcend the confines of conventional conference spaces and cultural venues and pervade the entire city.
For more info, go to http://www.aec.at/en/festival2008/index.asp
Project netarts.org 2008 call for nominations – deadline 15 September 2008
1. The “Project netarts.org 2008″
From 1995 to 2003, The Machida City Museum of Graphic Arts hosted the “Art on the Net” project promoting the Internet as a space for artistic expression. After the nine years of “Art on the Net,” we launched a new event called the “Project Netarts.org.” The “Project netarts.org” has been calling on artists around the world to investigate together the relationship between Art, the Internet and the Society.
The Exhibition section of the project will feature recent developments in Internet Art and is open to all forms of creative expression that use the Internet as their primary medium.
Although this project is focused on the latest developments in the field of Internet Art, we are also very interested in considering contributions that reflect the influence of Internet Art production on the wider fields of Media-Art, Digital Art, curatorial practice, digital pedagogy, and online publishing.
2. Call for the nomination.
This year, the artworks for the exhibition and the “netarts.org 2008 prize” will be chosen by our Selection Committee. The members of our committee are;
Mark Amerika, Susan Hazan, Agnese Trocchi, John Hopkins, and You Minowa.
The theme this year is “The Ghost in the Machine.” The members will make their own nominations, but we will accept nominations from the web also. Please send your nomination to us directly from http://www.netarts.org/webmuseum.html.
The prize fee for the top selection will be 100,000 yen.
Computer Arts Society – Joint Meeting TESLA, 2 September 2008
The Computer Arts Society celebrates CAS 40 – 40 year of supporting the computer arts
CAS is pleased to announce the launch of its Autumn programme with an afternoon/evening joint meeting with the TESLA Group at UCL. All CAS meetings are free and open to the public though please note an RSVP is necessary for the afternoon session.
The CAS AGM will be held in the break as indicated
Venue University College London, Gower Street – room to be confirmed
Tuesday 2 September 2008
15:00 Registration and coffee
15:15 Murray McKeitch http://tinyurl.com/56o74o
16:00 Peter Bentley http://www.peterjbentley.com/
16:45 Julie Freeman http://www.juliefreeman.co.uk/
17:30 Drinks and refreshments (60 min)
CAS AGM (in parallel – 20 min)
18:30 Peter Zinovieff http://en.wikipedia.org/wiki/Peter_Zinovieff
19:30 ~ Pub/Dinner (BYO)
A further announcement will be made with detail of talks and location. Due to catering arrangements an RSVP is required if you intend to attend the afternoon session and break/CAS AGM. The evening talk is open to the public and no RSVP is necessary.
RSVP to Paul Brown – paul [at] paul-brown.com
http://www.computer-arts-society.org
Digital Fringe – deadline 12 October 2008
http://www.digitalfringe.com.au
**Digital Fringe is now accepting entries (video, stills or audio) **
Ferret around your hard drives, dig up some gems and have your stuff seen on hundreds of screens
Digital Fringe: Part of the Melbourne Fringe Festival (September 24 -October 12)
Uploaded content will be moderated and tagged by the Digital Fringe team then popped in a video carousel that plays on hundreds of screens around the world.
Digital Fringe plays on home computers and public screens, from grand urban screens to retail television displays, hospitality venues, galleries and other nooks and crannys. This extensive network of screens is seen by thousands of viewers.
http://www.digitalfringe.com.au
reVamped
for remixworx, from reVamp to end reUser
+ comment 11396
flash source: revamped.fla (27KB)
5th Research into Practice conference – Royal Society of Arts, London, 31 October 2008
Registration is open for the 5th Research into Practice conference at the Royal Society of Arts in London on 31 October 2008. You can register online at
http://sitem.herts.ac.uk/artdes_research/res2prac/regcgi2008.html
The conference will explore the problem of interpretation in research in the visual and performing arts. The keynote speakers will be W.J.T. Mitchell (Chicago) and Griselda Pollock (Leeds).
THEME
It is characteristic of research outputs, reports and theses in traditional disciplines that they are expressed in unambiguous language. One reason for this is to establish the grounds and argument from which the conclusions derive. Another reason is to be quite clear and explicit about what is being claimed as original by the author for the research. This characteristic has the effect of reinforcing the dominant knowledge models such as “the scientific method”, “empirical methods”, etc. However these models come from disciplines whose aims and objectives may differ from those in the arts and humanities. There has been much discussion about the suitability of such models for the visual and performing arts, which seem to rely on a more pluralistic approach to interpretation which values the fact that different generations and different cultures find their own value in the artefact.
Does this difference of explicitness between traditional disciplines and the arts mean that their research outputs cannot be compared? What is the status of the outcomes of research in the visual and performing arts in terms of what is known or discovered? Is research in these areas actually trying to achieve something quite different, and if so what? Is the value of research something constructed by the receiver, and if so what would that mean for knowledge-models in the arts? Are its outcomes more contingent than those in other disciplines because of this difference in the role of interpretation by the reader/viewer? Does the scientific method really result in unambiguous interpretation, or conversely is interpretation really so subjective in the arts?
The conference will focus on the theory of interpretation in research in traditional disciplines and on the emerging theory of interpretation in research in the visual and performing arts.
Conference website:
http://sitem.herts.ac.uk/artdes_research/res2prac/confhome.html