Chris Joseph Electronic writer and artist

24Sep/070

IOCT Salon, Leicester – Manolis Kelaidis’ blueBook, 1 November 2007, 6.00pm – 7.30pm



http://www.ioctsalon.com

Thursday 1st November 2007, 6.00pm – 7.30pm (doors open at 5.30pm for drinks)

at the Institute of Creative Technologies, De Montfort University, Leicester, UK (see http://www.ioctsalon.com/directions.htm for map and directions)

This event is free of charge and open to the public.

Manolis Kelaidis’ blueBook 1Manolis Kelaidis’ blueBook 2


Manolis Kelaidis is a designer and engineer who likes his books to be made of paper. His recent work looks into the future of the traditional book as an interface to access digital content. He is a lecturer at the Royal College of Art and a Fellow at Imperial College’s Tanaka Business School in London. His previous work ranges from designing art exhibitions for Sony to researching at the Swiss Federal Institute of Technology ETH Zurich.

The blueBook project makes printed pages digitally interactive by embedding circuits in each page printing text with conductive ink. When you touch a “linked” word on the page your finger completes a circuit, sending a signal to a processor in the back cover which communicates by Bluetooth with a nearby computer, bringing up information on the screen.

Links:

Outline of the blueBook project at booktwo.org

Discussion of the project at the Institute for the Future of the Book

blueBook photos on flickr

———–

The IOCT Salon ( http://www.ioctsalon.com ) is managed by Chris Joseph, Digital Writer in Residence at the Institute of Creative Technologies, De Montfort University. This residency is funded by Arts Council England: East Midlands.

For further information about the IOCT Salon please email Chris: info /at/ ioctsalon.com . To be notified of future events please join the mailing list on the Salon website.

The IOCT Salon is held at and staged by De Montfort University and the Insitute of Creative Technologies, and is supported by Arts Council England and the Literature Development Network.

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24Sep/070

Justin Quinn

A friend directed me to some very interesting visual poetry work by the artist Justin Quinn – http://www.mmgalleries.com/artists/quinn.html

Justin’s artist statement:

The distance between reading and seeing has been an ongoing interest for me. Since 1998 I have been exploring this space through the use of letterforms, and have used the letter E as my primary starting point for the last two years. Since E is often found at the top of vision charts, I questioned what I saw as a familiar hierarchy. Was this letter more important than other letters? E is, after all, the most commonly used letter in the English language, it denotes a natural number (2.71828), and has a visual presence that interests me greatly. In my research E has become a surrogate for all letters in the alphabet. It now replaces the other letters and becomes a universal letter (or Letter), and a string of Es now becomes a generic language (or Language). This substitution denies written words their use as legible signifiers, allowing language to become a vacant parallel Language— a basis for visual manufacture.

After months of compiling Es into abstract compositions through various systemic arrangements, I started recognizing my studio time as a quasi-monastic experience. There was something sublime about both the compositions that I was making and the solitude in which they were made. It was as if I were translating some great text like a subliterate medieval scribe would have years ago—with no direct understanding of the source material. The next logical step was to find a source. Herman Melville’s novel Moby Dick, a story rich in theology, philosophy, and psychosis provides me with a roadmap for my work, but also with a series of underlying narratives. My drawings, prints, and collages continue to speak of language and the transferal of information, but now as a conduit to Melville’s sublime narratives.

24Sep/070

ARCIPELAGO 2008 Short.Web 7.0 – 24 days left to vote

www.arcipelagofilmfestival.org

The 7th edition of Short.Web – International On-line Competition is near to its conclusion. In fact, who’ll vote in the next 24 days will make the difference to decide the winners of this web contest, which is part of ARCIPELAGO – International Festival of Short Films and New Images.

Brought to you for the first time in collaboration with FASTWEB, the competition includes 29 short films – from all over the world – that can be viewed and voted until October 15 at the Url www.arcipelagofilmfestival.org/cortoweb.

The Net audience’s most acclaimed short film will be awarded with a Euros 1,500 prize, offered by Fastweb. Short.Web 7.0′s winner will be announced on October 21 in Rome, in the framework of Digital Party – UFO07, the digital pavillion of CINEMA. Festa Internazionale di Roma (RomeFilmFest). Starting from that date, the results of the votations will be also published on ARCIPELAGO’s website.

Please, notice that it’s not possible to vote the same short more than once, and that to be able to express your preference you must see the film until the end of the streaming. You can then assign your score to a maximum of 5.

Watch and vote them all!

Enjoy your (web)screenings…

Filed under: Announcements No Comments
23Sep/070

Specs journal call for submissions – ongoing deadline

Specs is a journal of contemporary culture and arts at Rollins College. Our aim is to create sympathetic interfaces between artistic and critical practices.

We invite submissions of critical and/or creative work for the print and web issue, and welcome cultural criticism, fiction, non-fiction, poetry, art, and pieces that blur genre boundaries.

We also seek works that force interactions between traditional print and digital media.

Please go to our website (www.specsjournal.org) for further information and submissions guidelines.

20Sep/070

the world is a dangerous place

for remix_runran, from sign at the end of the universe <- glitches

flash source: dangers.fla [255KB]

20Sep/07Off

Call for Proposals: Visionary Landscapes – Electronic Literature Organization 2008 Conference – deadline 30 November 2007


Thursday, May 29-Sunday, June 1, 2008
Vancouver, Washington

Sponsored by Washington State University Vancouver
and
The Electronic Literature Organization

Drs. Dene Grigar and John Barber, Co-Chairs

Producing a work of electronic literature entails not only practice in the literary arts but sometimes also the visual, sonic, and the performative arts; knowledge of computing devices and software programs; and experience in collaboration, interdisciplinarity, and hybridity. In short, electronic literature requires its artists to see beyond traditional approaches and sensibilities into what best can be described as visionary landscapes where, as Mark Amerika puts it, artists “celebrate an interdisciplinary practice from a literary and writerly perspective that allows for other kinds of practice-based art-research and knowledge sharing.”

To forward the thinking about new approaches and sensibilities in the media arts, The Electronic Literature Organization and Washington State University Vancouver’s Digital Technology and Culture program are inviting submissions to the Electronic Literature Organization 2008 Conference to be held from May 29 to June 1, 2008 in Vancouver, Washington.

“Visionary Landscapes: Electronic Literature Organization 2008 Conference” is interested in papers that explore forms of digital media that utilize images, sound, movement, and user interaction as well as—or in lieu of—words and that explore how we read, curate, and critique such works. Topics may include:
- New, non-screen, environments for presenting multimedia writing and /or electronic literature
- Research labs and new media projects
- Strategies for reading electronic literary works
- Curating digital art
- Innovative approaches to critiquing electronic literature
- Emerging technologies for the production of multimedia writing and /or electronic literature
- Building audience for new media literary works and writing
- Digital, literary performances
- Publishing for print or electronic media connecting literature and the arts through common archiving and metatag strategies
- Artistic methods of composition used in intermedia storytelling (improvisation, collaboration, sample and remix, postproduction art, codework, hactivism, etc).

In conjunction with the three-day conference, there will be a juried Media Arts Show. Along with prizes for the most notable work, selected artists will be awarded bursaries to attend the conference featured at the show. Submission guidelines will be posted beginning August 15, 2007 on the conference website.

The keynote speaker is internationally renown new media artist and writer, Mark Amerika, named a “Time Magazine 100 Innovator.” His artwork has been exhibited at the Whitney Biennial, the ICA in London, the Walker Art Center, and the Denver Art Museum and has been the topic of four retrospectives. Amerika is also the author of many books, including his recently published collection of artist writings entitled META/DATA: A Digital Poetics (The MIT Press), founder of the Alt-X Network, and publisher of the electronic book review. He currently holds the position of Professor of Art and Art History at the University of Colorado at Boulder.

Deadline for Submissions for Presentations: 30 November 2007
Notification of Acceptance: 30 December 2007

Vancouver, Washington, located in the Pacific Northwest just across the Columbia River from Portland, Oregon, is about a six hour drive south of Vancouver, Canada and three hours south of Seattle, Washington. The conference day events will take place at Washington State University Vancouver, a Tier One research Institution built in the foothills of the Cascade Mountains with views of Mt. Hood and Mt. Saint Helens. The official conference hotel is the Hilton Vancouver located in downtown Vancouver, Washington, with easy access to restaurants, bars, and evening conference events. Special rates have been negotiated for conference attendees. A conference shuttle will take attendees to and from the campus daily. The recommended airport is Portland International Airport (PDX) at Portland, Oregon, which is about a seven minute drive to downtown Vancouver, Washington.

The cost of the conference is $US 150; graduate students and non-affiliated artists pay only $US 100. Conference registration covers access to all events, the reception, some meals, and shuttle transportation.

For more information, contact Dene Grigar at grigaratvancouver.wsu.edu.